The covid report by lancet says that the US needs to be investigated

this is exactly what a chinese bot would say smh. silence, wumao

posted from ft detrick, maryland

Death to America

I still remember all the reported "vaping illness" which had a lot of similar symptoms to covid in 2019 and then "poof", vanished after a week or so.

My favourite mental gymnastics about this is that liberals think that FBI, CIA and US politicians are unbiased and trustworthy, but WHO and independent biologists are just China shills.

Beyond parody at this point.

Don't even get me started on Fort Detrick

Libs are all about being "anti-racist" until it's time to actually be anti-racist.

"According to Sarah Fraser 'Photography’s role in shaping China’s image from 1860 to 1900 is evident in the visual transformation of the Chinese subject of over a half-century of colonial intervention. In these shifts related to China’s visual culture, the camera was an instrument of the contemporary practice to create types, classify peoples, and impose hierarchies upon the world as it was being observed . . . By the turn of the century, the photographic lens was focused on larger statements about “the Chinese” and national character.'

In her study of the translational politics of visualizing the Chinese, Larissa Heinrich has similarly pointed out that “in early medical photography in China we see the convergence of those colonial, commercial, ethnographic, and scientific ideologies that marked the indisputable entrance of the ‘Chinese specimen’ into global discourses of race and health.” Through its heterogeneous modes of circulation (e.g., archives, museums, private collections, and publications) and deployment of stylistics (e.g., the “before and after” clinical contrasting trope, portraiture, battlefield documentary, and erotic thematization), photographic images of the ill decontextualized and recontextualized Chinese identity by “representing supposedly specifically Chinese pathologies to a global medical community.” In the formative years of China’s nation formation, the increasing popularity of clinical photography gave representational claims of Chinese pathology a new set of cultural valence and ideological relevance. The diseased ontology of the photographic specimen came to be absorbed by the very medium of its cultural production and naturalized as representative of the inherently pathological quality of Chinese empire and identity. Over the course of the nineteenth century, China was granted entrance into the global system of nationstates on the condition of being racially stereotyped as “the Sick Man of Asia” with growing intensity.

The evolving relationship of the camera to its object of representation relied on, among other things, the circulation of certain medical beliefs about Chinese identity, which substantiated the “Sick Man” stereotype: in the nineteenth century, China was blamed for being the original home of the Bubonic plague, cholera, small pox, and, eventually, leprosy."

-How China Became a "Castrated Civilization" and Eunuchs a "Third Sex", Howard Chiang

"believe in science"