Disclaimer; I'm never going to watch or read the rest of Attack on Titan. I think it's a gross, misanthropic story. So if I'm completely wrong about the conclusion let me know n the comments

Since "media literacy" and "How could you say my blorbo is a fascist?" are constant and inescapable on the net, I was once again drawn in to the "Is AoT fascist?" discourse.

I stopped watching AoT during the first season because it's a story of a bunch of valiant heroes grimly marching to their deaths in a war of annihilation against a teeming swarm of sub-humans who exist for no other purpose than to crush the light of civilization in an orgy of mindless violence.

Which is to say, the straightest possible portrayal of the fascist world view.

But many in the discourse argue that this isn't fair, the author clearly shows that the protagonist is the bad guy, people are dumb and media illiterate. Well, I don't want to watch four seasons of gorn just to weigh in on weird anime discourse, so let's just look at a summary of the conclusion of the story.

Let's see... minority with tainted blood who once ruled the world with an iron fist gains control over superweapons and immediately uses them to exterminate all of pure blooded humanity, even though he didn't have to, as human history is a zero-sum clash of civilizations in which there is no possible alternative but an inevitable war of annihilation between those of pure blood and those of tainted blood. Also apparently The Jews The Marleyan Royal Family secretly set the whole thing in motion.

No fascism detected! What a relief! It's a good thing the author expressed his view that racial war of annihilation is the only possible conclusion to the inevitable clash of civilizations! I was afraid he'd look directly at the camera and say "Everything that Hitler believed is correct and I have written a story reflecting that".

Like, seriously, the story starts with the Jews Eldians engaged in an auto-cannibalistic war of annihilation, and the story ends with the protagonist, once noble and heroic, revealing his true Jewish Eldian nature by annihilating humanity for basically no reason. "Eren is the bad guy!" Yeah no shit, that's exactly what the author said; The Jew cannot overcome his nature and will inevitably destroy the world no matter what. He set up a story where we sympathize with the hero, and then in the end the hero is shown to have inevitably turned in to a monster as the power of his tainted blood leads him to destroy real humans. It's Race Realism: The Motion Picture

Or maybe I'm totally wrong. idk, because I don't want to watch 40 hours of miserably nihilist murder porn written by someone who pretty obviously hates humanity.

Final thought; Isayama is Zach Snyder if Zach Snyder hated humanity.

For my next trick I will explain why Fullmetal Alchemist; Brotherhood is apologia for the crimes of Imperial Japan

Edit: I have observed that a lot of people are assessing AoT's message based on what the characters say or do. I was recently introduced to the idea of "Diegetic Essentialism", an emerging, often unconscious, belief among many people that media can only assessed within the context of the story, with the characters treated as though they were real people instead of puppets of the authors. Thus, "Isayama depicted all sides as miserable fascists" is considered important, rather than examining the world the author created and what that says about the author's beliefs about humanity and life.

Here's the post that introduced me to Diegetic Essentialism. From our buds over at /r/Sigmarxism, of course. I'd been struggling to articulate something I saw for a long time and this gave me a name for what I had seen.

https://libreddit.kavin.rocks/r/Sigmarxism/comments/11wt3kp/the_plague_of_diegetic_essentialism_or_how_i/

  • TheBroodian [none/use name]
    ·
    3 months ago

    I just recently watched a video on this subject. The video itself wasn't very illuminating about the subject, but a pinned comment was:

    Pinned by The Morbid Zoo @ssoftiss 2 years ago Thank you for your video, I agree with a lot of your points. What I think did get lost in translation might be some of the references to Japanese history and common current mindsets in Japan. You mention how it is not easy to identify whether the Eldians are supposed to represent Germans or Jews. Actually I think they are supposed to represent the Japanese .. and that is not a good thing.

    A summary of 'sakoku' in Japanese history: Medieval Japan (think Samurai-Era) felt threatened by trade from Europe (Portuguese, Dutch..) who also tried to bring Christianity to Japan. The feudal government at some point closed of the Japanese borders completely and only allowed very limited contact to the outside world. I hope the parallels to Eldians on Paradis Island are obvious enough. Interestingly, many Japanese feel that this step was not a free choice but a last resort to protect Japanese interests. As we all know, the Industrial revolution brought on a rapid technological advance in the western world. Japan was closed off for about 200 years, until the US decided that they were going to force Japan into opening their borders - with their advanced weapons. Just like Paradis is confronted with being wiped out by their soon to be technologically advanced enemies.

    Japan during WWII and ethnic uniqueness: In Japan during WWII there was a strong propaganda to create the belief that there is an inherent Japanese-ness which is still prevalent today, not only with far-right activists. If you study any Japanese art you often come across the mindset, that only Japanese might ever be able to fully understand that certain art - simply because they are Japanese, and outsiders may never reach that level. In AOT the Eldians are genetically different from the rest of the world.

    Contemporary Japanese views on WWII: The Japanese school system does not include a lot of WWII lessons. So for most regular Japanese citizens, their knowledge about WWII and especially the war crimes is not very broad. This strenghtens opinions like 'my generations has had nothing to do with this war, so there is no reason for apologies or reparations nowadays' or 'It's all in the past and has nothing to do with today'. Even though there are still ongoing conflicts (e.g. South Korea and sexual slavery, euphemically called the 'comfort women issue'). Such beliefs foster a victim mentality. And in the case of AOT, I fear this was translated into showing the Eldians as being discriminated against - comparing them to how the Jews were discriminated. Which would be quite a sickening comparison.

    To sum it up, Isayama did portray the Eldians as being on an island nation that is technologically not as advanced as the rest and is thus confronted with an outside threat of being eliminated. This is so close to actual Japanese history that it is not far-fetched to think that Isayama is protraying Eldians as Japanese. Isayama also portrays Eldians as the victims of discrimination, going so far as to bring in themes of how the Jews were treated during WWII.

    I think the ending actually made it clear that Isayama - even though he might not be a full on right-wing nationalist - is leaning towards some of the arguments that are right-wing. The ending shows that Armin sympathizes with Eren's decision - because he did it 'for the greater good'. Being a fascist does not only mean being cruel just for the sake of being cruel - it also means to justify cruel actions by it being for a greater good. And that I think is exactly what the ending of Attack on Titan is doing.

    I too have been defending AOT since the beginning. But rewatching the series now, I feel like I interpreted many things too liberal, because that was what I wanted to see. Take that scene, where so many refugees are sent back outside the walls because the government was afraid of a food shortage. Reviewing that scene I think there is already an undertone of it being for 'the greater good', of it being a necessary evil and thus - justifying such a horrenduous act.

    Same goes with the scene where Erwin decides to order his soldiers to give their lives, just for Levi to have a chance to attack Zeke. Rewatching this scene, I think it actually was portrayed again as a necessary evil. And that would be fascist. Just like how in real Japan during WWII air pilots were ordered to fly their planes right into the enemy, the infamous Kamikaze.

    I'm sorry this got so long, no one I know watches the show and I needed an outlet for all of my thoughts after reading the last chapter of the manga.

    I think if you consider these points, the ending should not have come as such a big surprise. I really should have seen it coming unfortunately...