Bazinga doomers want the fantastical (basically the 1950s and all its values but with immortality and infinite holographic waifus), fear the consequences of their own ideology (what if the infinite holographic waifus rebel against them instead of serving them unconditionally), and are bored by actual plausible doom scenarios because they weren't featured in a movie of their preference.
Bazinga doomers want the fantastical (basically the 1950s and all its values
but with immortality and infinite holographic waifus), fear the consequences of their own ideology (what if the infinite holographic waifus rebel against them instead of serving them unconditionally), and are bored by actual plausible doom scenarios because they weren't featured in a movie of their preference.