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Cake day: July 30th, 2023

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  • The social media thing is a bit of a red herring. This isn't an episode about social media really, it's an episode about race and class - if there is a comment on social media in particular, it is about people's tendency to use social media to insulate themselves from their own awfulness, which they use social media to inculcate. It's an episode about people rather than about the tools they use.

    The people of Finetime (and, it seems to suggest, the Homeworld – or at least, those people of the same class as those of Finetime) are a segregationist, hyper-privileged class that values appearance, propriety, and conformity with social expectations. They prefer surface-level friendships and interactions that enhance their social standing or self-regard to deeper or more complex relationships, and there's a blurring of social and parasocial relationships so that they're essentially the same. The Bubbles don't create this culture, but they allow their users to wallow in it completely and exclude anything distasteful or any challenges to this worldview.

    Spurred to consider our own world, we might ask ourselves if there's any equivalency (again, the show's not an allegory, but it is a commentary). And if so, who is it that is performing the labor that keeps that class going? What does it mean to put them out of view? What do we become if we put everything unpleasant like that out of our minds? What happens when that becomes completely untenable?

    The slugs are controlled by the Dots. The implication is that the people of Finetime are so loathsome that their own social media platform has grown to hate them enough to kill them (which, fair).

    Who created the slugs? I dunno, a Doctor Who creature designer who liked The Macra Terror. Why didn't they just kill everyone at once? Because then there wouldn't be time for an episode of Doctor Who. If we want to guess at the alphabetical thing, a social media app presents users in alphabetical order, so for the rogue AI of the Dots, that's just what their programming supplies. Why don't the Dots just kill people themselves? If we want to guess, well, people would just take off their Dots if they started killing people (or whatever company produces them would see them malfunctioning and fix the error). And it seems a lot more obvious to people in Finetime when someone has trouble with their Dot than when a slug quietly nabs someone. But also, because the episode wouldn't really work if the Dots just sniped people. These are the sorts of questions that don't really matter –– personally, I don't think leaving their answers to the imagination weakens the episode at all, and putting it in just wastes time spelling out unimportant details. There's a certain degree of suspension of disbelief we need for stories to work.

    Lastly, while it may seem sci-fi that an ultra-privileged, racially-homogenous class of people would create an environment for their children where they can succeed and meet no challenges while performing essentially no labor or doing anything of consequence, I invite you to visit the Hamptons or, like, any golf course.

    There's quite a lot to think about in this extraordinary episode. In my mind, it's one of the best episodes since late Capaldi, and of post-2005 Who as a whole. Also always worth noting that Gatwa's final scene here was the first scene he shot as the Doctor (save for those with Tennant).














  • I just finished watching Space Babies - I have to say, I missed this. It’s been a long time since Doctor Who was fun - I love all Doctor Who, even the bad ones (especially the bad ones) but my heart is really with the bizarre, campy, man-in-a-rubber-suit style episodes like this one. If anyone was worried this was going to get Disney-fied, this is RTD at the most RTD. I might as well have been watching the Ninth Doctor take Rose to the End of the World. Ncuti is the Doctor the very instant he steps on screen, and the Doctor/Ruby chemistry is absolutely perfect. I don’t love her being a mystery box but as long as the explanation is suitably weird I’ll go with it.

    A bit of a new experience for me in that this time I got to watch it with my daughter — she’s nine and a huge Trek fan. She liked Church on Ruby Road and we watched a bit of other doctors, but I wasn’t sure she’d take to this, but she was just beaming the whole time. Bit of a new experience for me because other than some Tom Baker episodes on old VHS tapes, I was an adult by the time I came to DW. It’s fun to see it through the eyes of a child.

    Also, uh, did the Doctor just suggest that the world of Star Trek is real in his universe?




  • evolved to be more sensitive to light, resulting in everyone tending more towards malevolence, and barbarism, and queer coded villainy.

    You know, I spent the whole episode sort of wondering if they were going to try and speculate that all the species of the Mirror Universe are campy jerks because in that universe the Progenitors were campy jerks. But I suppose I'm glad they didn't try and explain it, and it's still just a little pastureland for the actors to go chew scenery.


  • ”The last recorded exploration was over a century before Doctor Vellek was even born.” That does potentially raise the question of how Burnham would have been so familiar with Lyrek in the previous episode, though of course she and most of the rest of the Discovery crew might have been alive before Doctor Vellek’s birth.

    We've seen that in her one year as a courier, Burnham learned everything about every planet because of secret criminal space knowledge. Even if the last recorded exploration was that old, presumably space pirates with their gritty streetsmart know-how have some sort of Mos Eisley medieval market nearby.