Ifẹ, (also Ilé-Ifẹ̀) is an ancient Yoruba city in south-western Nigeria. The city is located in present-day Osun State. Ife is about 218 kilometers northeast of Lagos with a population of 509,813, the highest in Osun State according to population census of 2006.

History

Mythic origin of Ife: Creation of the world

Traditions about the dawn of time claim that Oduduwa was Olodumare's favourite Orisa. As such, he, (as the primordial Oduduwa originally represented the Divine Feminine aspect and Obatala the Divine Masculine) was sent from heaven to create the earth upon the waters, a mission he had usurped from his consort and sibling Obatala, who had been equipped with a snail shell filled with sand and a rooster to scatter the said sand in order to create land. These beliefs are held by Yoruba traditionalists to be the cornerstone of their story of creation. Obatala and Oduduwa here are represented symbolically by a calabash, with Obatala taking the top and Oduduwa taking the bottom. In this narrative, Oduduwa is also known as Olofin Otete, the one who took the Basket of Existence from Olodumare.

Another depiction of Oduduwa as being the wife of Obatala is presented in Odu Ifa Osa Meji, a verse of the Ifa oracle. In this Odu, Obatala discovers the secret of his wife and steals the masquerade's robes from her to wear it himself. This is suggested to be a historical representation of a switch from matriarchy to patriarchy.

This cosmological tradition has sometimes been blended with the tradition of the historical Oduduwa. According to other traditions, the historical Oduduwa is considered to be named after an earlier version of Oduduwa who is female and related to the Earth called Ile.

The earlier traditions of either a gender fluid or an expressly female Oduduwa are seen in the spirit's representation in the Gelede tradition. Initiates of Gelede receive a shrine to Oduduwa along with a Gelede costume and mask. This speaks to Oduduwa as associated wíth the divine ancestral mothers that are known as Awon iya wa or Iyami under their command. Here, Oduduwa is revered as the father of yoruba.

Origin of the regional states: Dispersal from the holy city

Oduduwa had sons, daughters, and a grandson, who went on to found their own kingdoms and empires, namely Ila Orangun, Owu, Ketu, Sabe, Egba, Popo and Oyo. Oranmiyan, Oduduwa's last born, was one of his father's principal ministers and overseer of the nascent Edo empire after Oduduwa granted the plea of the Edo people for his governance. When Oranmiyan decided to go back to Ile Ife, after a period of service and exile in Benin, he left behind a child named Eweka that he had in the interim with an indigenous princess of Benin. The young boy went on to become the first legitimate ruler and Oba of the second Edo dynasty that has ruled what is now Benin from that day to this. Oranmiyan later went on to found the Oyo empire that stretched at its height from the western banks of the river Niger to the Eastern banks of the river Volta. It would serve as one of the most powerful of Africa's medieval states, prior to its collapse in the 19th century.

Traditional setting

The King (Ooni of Ile-Ife)

The Oòni (or king) of Ife is reagarded as a descendant of the god-king Oduduwa, and is counted first among the Yoruba kings. He is traditionally considered the 401st spirit (Orisha), the only one that speaks. In fact, the royal dynasty of Ife traces its origin back to the founding of the city more than ten thousand years before the birth of Jesus Christ. The present ruler is Oba Enitan Adeyeye Ogunwusi (Ojaja II). The Ooni ascended his throne in 2015. Following the formation of the Yoruba Orisha Congress in 1986, the Ooni acquired an international status the likes of which the holders of his title hadn't had since the city's colonisation by the British.

Nationally he had always been prominent amongst the Federal Republic of Nigeria's company of royal Obas, being regarded as the chief priest and custodian of the holy city of all the Yorubas. In former times, the palace of the Ooni of Ife was a structure built of authentic enameled bricks, decorated with artistic porcelain tiles and all sorts of ornaments. At present, it is a more modern series of buildings.

Cults for the spirits

Ife is well known as the city of 401 deities (also known as irumole or orishas). It is said that every day of the year the traditional worshippers celebrate a festival of one of these deities. Often the festivals extend over more than one day and they involve both priestly activities in the palace and theatrical dramatisations in the rest of the kingdom. Historically the King only appeared in public during the annual Olojo festival (celebration of the new dawn); other important festivals here include the Itapa festival for Obatala and Obameri, the Edi festival for Moremi Ajasoro, and the Igare masqueraders.

Art history

Kings and gods were often depicted with large heads because the artists believed that the Ase was held in the head, the Ase being the inner power and energy of a person. Both historic figures of Ife and the offices associated with them are represented. One of the best documented among this is the early king Obalufon II who is said to have invented bronze casting and is honored in the form of a naturalistic copper life-size mask.

The city was a settlement of substantial size between the 12th and 14th centuries, with houses featuring potsherd pavements. Ilé-Ifè is known worldwide for its ancient and naturalistic bronze, stone and terracotta sculptures, which reached their peak of artistic expression between 1200 and 1400 A.D. In the period around 1300 C.E. the artists at Ife developed a refined and naturalistic sculptural tradition in terracotta, stone and copper alloy—copper, brass, and bronze—many of which appear to have been created under the patronage of King Obalufon II, the man who today is identified as the Yoruba patron deity of brass casting, weaving and regalia. After this period, production declined as political and economic power shifted to the nearby kingdom of Benin which, like the Yoruba kingdom of Oyo, developed into a major empire.

Bronze and terracotta art created by this civilization are significant examples of naturalism in pre-colonial African art and are distinguished by their variations in regalia, facial marking patterns, and body proportions. Ancient Ife also was famous for its glass beads which have been found at sites as far away as Mali, Mauritania, and Ghana.

Shrines, Altars and Temples

Igbo Olokun: Igbo Olokun used to be a forested, sacred grove (igbo) that housed shrines at which the goddess Olokun was worshipped. Igbo Olokun in the city of Ile-Ife, in south-western Nigeria, said to have history of glass makers with unique manufacturing techniques in West Africa. The recovery of glass beads and associated production materials were found there during excavation. Analysis of the composition of the artefacts and preliminary dating of the site, which puts the main timing of glass-working between the 11th and 15th centuries AD. The results of these studies suggest that glass bead manufacture at this site was largely independent of glass-making traditions documented farther afield, and that Igbo Olokun may represent one of the earliest known glass-production workshops in West Africa. The location is not divulged except on request and permission of the keepers of the shrine because it is a sacred grove.

Oduduwa Shrine and Groove: The shrine of the progenitor of the Yoruba race. Worshippers and initiates flood the place seeking blessings and pay obeisance to the originator of their civilization.

Agbonniregun Temple:The grove of Ọrunmila an Orisha. He is the Orisha of wisdom, knowledge, and divination. This source of knowledge is believed to have a keen understanding of the human form and of purity, and is therefore praised as often being more effective than other remedies.

Archaeology

Burnt pipes (or tuyere), stone tools, broken calabash, decorated potsherds, and pottery (e.g., rimsherd, plane-sherd body, broken, and washed pottery) were excavated at Iyekere. Iron smelting, charcoal utilized in the process of smelting, and iron slags involved in pitting were also discovered.

Iron smelting occurred in the Ife region. The yield and efficiency were quite high as the iron smelting process yielded ore grade near 80 percent iron oxide, lean slag possessed less than 60 percent iron oxide, and no greater than the required amount of iron oxide in the slag was left for slag formation. While more excavation is needed to produce a more accurate estimate for the age of the smelting site, it can be approximated to likely being precolonial, during the Late Iron Age.

Igbo Olokun, also known as Olokun Grove, may be one of the earliest workshops for producing glass in West Africa. Glass production may have begun during, if not before, the 11th century. The 11th - 15th century were the peak of glass production. High lime, high alumina (HLHA) and low lime, high alumina (LLHA) glass are distinct compositions that were developed using locally sourced recipes, raw materials, and pyrotechnology. The presence of HLHA glass beads discovered throughout West Africa (e.g., Igbo-Ukwu in southern Nigeria, Gao and Essouk in Mali, and Kissi in Burkina Faso), after the ninth century CE, reveals the broader importance of this glass industry in the region and shows its participation in regional trade networks (e.g., trans-Saharan trade, trans-Atlantic trade). Glass beads served as “the currency for negotiating political power, economic relations, and cultural/spiritual values” for “Yoruba, West Africans, and the African diaspora.” In Osun Grove, the distinct glassmaking technology produced by the Yoruba persisted into the seventeenth century.