I have a magic system that makes people feel an inherent attachment to the world and people around them. The same way you would feel hungry if you don't eat, you'd feel a natural disgust with yourself if you tried to hoard resources. Work is rewarding and being an adventurer solving problems is a lifestyle that you choose, retire from, or do casually.
In the continent of interest there are two different communes and one kingdom. The kingdom only lays claim to the land that they can reliably provide food for. Taxes are modest. Yet the existence of the inherent hierarchy disgusts the leaders of the communes. So when word gets around that the kingdom is raising an army, the leaders of the communes go through extralegal means to assist a vigilante, his friends, and a diaspora to attack the kingdom. Both communes decide to not intervene to keep the peace as a treaty demands and they look the other way as adventures fight in conjunction with the vanguard (e.g. "I don't conscript them, how am I going to give them commands?!")
No chosen ones, communes get plenty of screentime, and the main character develops from wanting to be a proud, pious knight for the kingdom into a drug smoking traveler who just wants to help solve the existential crisis facing the continent. There are lots of instances where people highlight how differently one could consider being part of a society like not paying for basic food and shelter. Tilling the fields in volunteer work and a popular excuse to exercise mana. BEEG BEEG LIBRARIES. People will only try to maim each other at worst during wartime and avoid carrying escalating weapons like swords and spears because they don't want to kill each other (which highlights how dramatic it is to say you want to kill someone).
I like it! The main character of my book is a cat-person, and while she has been told all her life that that means she's supposed to be dexterous conniving and flirtatious, she ended up being a 6'10" brick shit house of a woman who is super straightforward and physically imposing. One of her hangups is that she has still internalized her racial stereotype and feels bad for not living up to it, but over the course of the book she realizes that the magical phrenology she was taught growing up is all fake.
I have a magic system that makes people feel an inherent attachment to the world and people around them. The same way you would feel hungry if you don't eat, you'd feel a natural disgust with yourself if you tried to hoard resources. Work is rewarding and being an adventurer solving problems is a lifestyle that you choose, retire from, or do casually.
In the continent of interest there are two different communes and one kingdom. The kingdom only lays claim to the land that they can reliably provide food for. Taxes are modest. Yet the existence of the inherent hierarchy disgusts the leaders of the communes. So when word gets around that the kingdom is raising an army, the leaders of the communes go through extralegal means to assist a vigilante, his friends, and a diaspora to attack the kingdom. Both communes decide to not intervene to keep the peace as a treaty demands and they look the other way as adventures fight in conjunction with the vanguard (e.g. "I don't conscript them, how am I going to give them commands?!")
No chosen ones, communes get plenty of screentime, and the main character develops from wanting to be a proud, pious knight for the kingdom into a drug smoking traveler who just wants to help solve the existential crisis facing the continent. There are lots of instances where people highlight how differently one could consider being part of a society like not paying for basic food and shelter. Tilling the fields in volunteer work and a popular excuse to exercise mana. BEEG BEEG LIBRARIES. People will only try to maim each other at worst during wartime and avoid carrying escalating weapons like swords and spears because they don't want to kill each other (which highlights how dramatic it is to say you want to kill someone).
I like it! The main character of my book is a cat-person, and while she has been told all her life that that means she's supposed to be dexterous conniving and flirtatious, she ended up being a 6'10" brick shit house of a woman who is super straightforward and physically imposing. One of her hangups is that she has still internalized her racial stereotype and feels bad for not living up to it, but over the course of the book she realizes that the magical phrenology she was taught growing up is all fake.
:lenin-heart: I'm in love already