Your issue made me realize how land acknowledgments are basically the equivalent of those little provenance placards in every Western museum: "This masterful example of 17th West African jewellery is from Mali." The way people puff up their chests from making those little land acknowledgment declarations compared to that.

Okay, cool story, so how did it get here then, to where it is now? Crickets, of course, from the curators. And sure, if you consider it better than the alternative of them straight up claiming it materialized out of thin air and rendered corporeal form inside the glass case or them lying that the West African jewellery was actually made in Birmingham, thus making it their national property, it is "better" than those things.

But there's no acknowledgment of the process; the nature of now things ended up as they are now; whether maybe, just maybe, there should be more sharing with the descendants of its original owners rather than hoarded by the failsons of Western imperialism, let alone reparation and repatriation.

Through this, it also reveals the fundamental conceit of land acknowledgments. They'll never get away with declaring some random Anglo-Europeans autochthonously sprung out of the dirt, making them indigenous to their stolen lands. They're too proud of the claim to heritage to old Europe and their perception of the settler-colonial story, in any case. As such, these land acknowledgments are no concessions at all for them to make. There's no threat of cognitive dissonance to their settler narrative when they spout such acknowledgments. All the thorns of the real flower have been trimmed away, leaving just the plastic rose petals representing their modern narrative of "reconciliation" glued on top.