Brian Cox thinks cinema is “in a very bad way,” with the Marvel and DC Universes partly to blame.

The legendary actor of stage and screen – who most recently garnered critical acclaim for his award-winning role in HBO’s Succession – spoke at an Edinburgh International Film Festival panel on Saturday. When asked about the recent successes of globally popular TV shows, Cox cited the latest MCU installment Deadpool & Wolverine as a great example of cinematic “party time”.

“What’s happened is that television is doing what cinema used to do,” Cox told the audience of television’s originality. “I think cinema is in a very bad way. I think it’s lost its place because of, partly, the grandiose element between Marvel, DC and all of that. And I think it’s beginning to implode, actually. You’re kind of losing the plot.”

He discussed Ryan Reynolds and Hugh Jackman of Deadpool & Wolverine while referencing how films are “making a lot of money that’ll make everybody happy, but in terms of the work, it becomes diluted afterwards. You’re getting the same old… I mean, I’ve done those kind of [projects].”

Cox starred as William Stryker Jr. in X2: X-Men United (a military scientist who persuades Logan to become Wolverine), and admittedly said he “forgets” about the fact he “created” Wolverine. “Deadpool meets the guy… Wolverine, who I created, but I’ve forgotten. Actually,” he jokes, “When those films are on, there’s always a bit of me [as Stryker] and they never pay me any money.”

“So it’s just become a party time for certain actors to do this stuff,” Cox added. “When you know that Hugh Jackman can do a bit more, Ryan Reynolds… but it’s because they go down that road and it’s box office. They make a lot of money. You can’t knock it.”

Television is pulling ahead, he continued, with incredible shows like Jesse Armstrong’s Succession and Netflix’s Ripley, starring Andrew Scott. “There’s so many [shows] and you’ve got the honor of telling the story over a period of time.” The actor said movies of his childhood such as On the Waterfront are what made him want to “be the actor I’ve become,” but it’s partially eradicated.

  • Flyberius [comrade/them]
    ·
    3 months ago

    Old man yells at cloud.

    I agree that there is a lot of slop out there, but there always has been. There are still plenty of classics being produced.

    A lot of this seems to be incoherent grumbling.

    • anarchoilluminati [comrade/them]
      ·
      3 months ago

      Which classics were produced recently, especially blockbuster ones?

      Genuinely curious. I think he's right and I hate the cape movie culture in terms of consumers, but I stay away from theaters and watch older movies so I kinda don't really care much.

      • Flyberius [comrade/them]
        ·
        edit-2
        3 months ago

        I really enjoyed Monkey Man, Late Night With The Devil, The Blackening, Poor Things and the Whale. That's just off the top of my head.

        I know they aren't really blockbusters by any stretch, but it's rare to get a blockbuster that is also a non slop movie. These are all films that showed on my local cinema though, and they were all great. I hate cape shit and avoid most slop, except the odd guilty pleasure. To be honest I thought the Dune adaptation was really good and that was rather popular. So add that to my slop wall.

        I have my girlfriend to thank for dragging me out to see these films and it has made me realise that I was being rather snobbish in the past. There's a lot of good stuff out there if you just go out and watch it. You won't always be amazed but you'll be surprised what you do end up liking.