I think a decent measure is GDP growth rate divided by GDP per capita. I don't have the numbers on hand but China is above average in both absolute and PPP.
That's the hilarious part. They're clearly not actually opposed to giving out subsidies, just for things that might actually be beneficial in the long run.
This might be a hot take here, but for all of Elon's overhyped flops like the Hyperloop and car tunnels, the Falcon 9 does have the lowest launch cost per kg out of any rocket and is the only family of orbital rockets with a demonstrated reusable propulsive landing system. That's not to say they'll have the lead forever since there's a fundamental limitation of private enterprise, but currently they're ahead in several important ways.
The Wandering Earth 2 is not simplistic and you’ve probably missed a lot
Probably. I'm definitely not too knowledgeable about cultural allusions and stuff, and I basically relied on the subtitles. I must admit there's a gap there. Westerners often praise Liu Cixin for having great ideas and plots but criticize him for having flat characters and uninteresting dialogue. Idk how much the translation has to do with this and how much this even affects the movie since it's only loosely based on the short story though.
I also have no clue who the two people you mentioned
李荣浩 and 薛之谦, their top songs have 100-200 million views on YouTube, the most out of any Chinese artist. They're incredibly popular in Taiwan, Singapore, and the US amongst ethnic Chinese. I'd be surprised if you haven't heard of them.
Phoenix Legend or Li Yuchun
Mind sharing some recommendations?
I think you discount the lack of exposure
Yeah I'm not denying that this is major factor. I think The Wandering Earth 2 should've been as popular as any Hollywood blockbuster. But I do have my reasons why I think it's "merely" a very good film instead of a timeless cinema classic. Perhaps like you said it's because I'm missing stuff due to the language barrier.
a lot of this post sounds like lack of cultural self-confidence on your part
I really hope they look to other countries for better inspiration. India for example has incredible music and movies.
Yeah strongly agree here. For all its diversity, Western music is fundamentally limited by it's reliance on the 12-tone equal temperament system. The systems they use in Indian and West Asian music are ways to surpass that and add additional complexity.
A critical weakness of traditional Chinese music is overreliance on the pentatonic scale, which is even more limited than the full set of 12TET notes. I think it's cool and all that there's a renewed interest in Chinese folk music, but I think it's incredibly misguided how some people think it represents a "renaissance of Chinese music" or that it should be the defining characteristic of Chinese music. To build their own modern musical identity, they must look to the future, not the past. And cultures other than Han Chinese and Western would be a great place to look for some inspiration. Of course it's not my place to tell Chinese people what they should or shouldn't do, but from a semi-outsider's perspective, that's one place where I'd start looking.
I think it's from a legally Chinese studio founded by a Chinese-American and white American. I'll take that as a W since attracting foreign talent is a legitimate development strategy.
Another bit idea: a short where Xi Jinping and his translator meet Winnie the Pooh and they have a pleasant conversation about ecology and environmental sustainability (something like this would go absolutely viral on english media)
Lmfaoo this is gold. It would simultaneously defang the Winnie the Pooh meme and explain China's stance on sustainability. It's too bad the censors and propagandists in China are so out of touch and incompetent.
You're right, I wasn't considering mobile games. Got any good ones that aren't just cash grabs or ports of existing IP?
I'm aware that there are solid games with some connection to China, such as FTL: Faster Than Light and My Time at Portia. There's of course also Genshin Impact and the upcoming Black Myth: Wukong, but I find it hard to be excited about them anymore since my SO shat on them really hard, the former for "being a rip-off of BoTW" and the latter for "being a rip-off of Elden Ring and Dark Souls and using unoriginal, centuries-old IP." TBH I think they have a point.
I wasn't intentionally naming recent Chinese movies, I just happen to think the best (mainland) Chinese movies of all time were made in the last few years. That at least gives me some hope that they simply needed some time to develop the expertise. And yeah, I'm well aware that for every The Matrix there's a couple dozen Justice Leagues.
Indeed, most top 100 music is derivative crap everywhere, including the US. But every year there are a few hits that stand the test of time like Poker Face and thank u, next. And I don't mean to say that US pop music is truly cutting edge stuff. Rather, what happens is that there's always cool new stuff brewing underground, and in a few years either the formerly underground artists make it big or their sounds set off a trend that's eventually picked up by established artists. That's how you end up with a bunch of trends or waves in music like deep house and trap heavily influencing US pop music in the 2010s. By contrast, it seems like underground music in China stays underground, and in the first place the sounds were invariably originally imported. Like there are by all means good sounding Chinese non-mainstream artists like Omnipotent Youth Society, 等一下就回家, Ice Paper, PO8, GriffO, and Absolute Purity, but their music is based on existing, imported genres like hip-hop and prog rock and their music has virtually no influence on the most popular Chinese pop artists like Li Ronghao, who just constantly spit out generic tunes.
I do appreciate that Chinese media can take a different perspective than Western media. Propaganda pieces like Minning Town can be a good watch and are really wholesome. Even organic works like The Wandering Earth obviously are made with different worldviews. I do think this is one unique strength that can be leveraged that doesn't just try to copy Western stuff or rehash tired palace drama cliches, and I'm glad to see it appear more often in recent works.
I think there are many great ideas coming from Chinese TV and cinema, they just need to work on execution. Take the Tencent adaptation of Three Body Problem, for instance. Huge potential, and the IP is imo one of China's precious jewels. But they really did it dirty with the low budget. It was mostly just people standing around and talking. A single episode of the (whitewashed, de-sinicized) Netflix adaptation has a bigger budget than the entire Tencent series. I would go as far as to say that it would've been worth it for the government to subsidize it to raise the production value.
Funny enough, China did once try a very hamfisted, top-down approach to try to cultivate an international pop star. They hand-picked an elite music school graduate, and had her and a production team study superstars like Michael Jackson, Beyonce, and The Beatles. It was a total flop.
I do often fantasize about what it would take to bolster the domestic music scene, though. I think having kids learn an instrument in school like Americans had to learn the recorder would be a good start, as would funding stuff like school bands. Maybe reduce crushing school workloads so kids can touch grass and do hobbies including music. Perhaps subsidizing concerts, music festivals, and recording sessions. Offering scholarships for music school. Maybe even tax incentives for revenue from overseas audiences.
Then I realize that things like poverty alleviation, medical services, and national security are far more pressing issues and I feel a little silly for thinking about the more maximalist ideas. But it's fun to think about, and I don't think you can go wrong with at least funding the arts in school.
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Also HK is a city while mainland encompasses poorer rural areas