Every time they asked a question about something, I reassured them: "Don't worry, everything gets explained in the last two episodes!"
Every time they asked a question about something, I reassured them: "Don't worry, everything gets explained in the last two episodes!"
:shinji-screm: :shinji-impact: :shinji-impact: awesome! how did they like it?
This is something I aspire to do with many people.
We're watching the movie that actually explains everything tomorrow.
Watch Gurren Lagann next and be like "actually all that was bullshit, you should just believe in yourself and do revolution"
and then watch Promare and be like "the only thing that can stop climate change and imperialism is firefighters being gay with antifa"
:yes-comm:
It's also about ACAB and how firefighters under capitalism are forced to be cops themselves even when they just want to save lives
Gurren Lagann is the JUST DOOOO ITTTTTT of revolution anime.
And then, well, there's the remake movies to _finally make it all make sense
:data-laughing:
So, serious answer to this question—this was my partner's assessment after taking a day to process the whole thing. It is written in their voice, not mine:
If you have watched Evangelion, you don't really need a content warning for all the YIKES content being discussed, but I'm putting this inside spoiler text just to err on the side of caution. Also, spoilers for the series.
Visuals: STUNNING. Extremely cool. You can see a lot of NGE reflected in the stylistic choices of contemporary anime. Example: the shot of Unit-01 all bandaged up and undergoing "repairs" deadass looks like a titan from Attack on Titan.
Holy pacing issues. The hour of navel-gazing in the last two episodes aside, there are a lot of scenes that really should have ended a minute or two later. I didn't need to see Unit-01 sit there for two minutes before popping that kid's head off.
Outside of the pacing, the broad strokes of the story are very cool. I can see where they had to cut a lot of corners for the sake of the budget, but what they were going for was awesome. They were trying to subvert some of the usual tropes of the genre by making the mechas not really mechas at all, but soulless clones of the same monsters they were trying to stop. And with the pilots' moms' souls in them or something, I guess. I would have liked to see what they could have done if they hadn't run out of money. I was waiting for a big "jaw drop" moment, like when PMMM did the same thing to the magical girl genre 15 years later, but it just never came.
Did nobody in this production think to ask questions like: "Maybe these characters would benefit from an explicit foil?", "why does this twink show up and give Shinji a boner, then ask him to kill him?", or, "Should we maybe look into what the personality traits of these children are implying? Because this degree of depersonalization typically indicates ongoing child sexual abuse." I feel like nobody ever told Anno the words, "No." at any point during production.
Overall, they enjoyed it quite a lot. Outside of the massive :libertarian-alert: vibes the whole way through.