The Sukhoi Su-57 is a twin-engine stealth multirole fighter aircraft developed by Sukhoi. It is the product of the PAK FA (Russian: ПАК ФА, prospective aeronautical complex of front-line aviation) programme, which was initiated in 1999 as a more modern and affordable alternative to the MFI (Mikoyan Project 1.44/1.42). Sukhoi's internal designation for the aircraft is T-50. The Su-57 is the first aircraft in Russian military service designed with stealth technology and is intended to be the basis for a family of stealth combat aircraft.

A multirole fighter capable of aerial combat as well as ground and maritime strike, the Su-57 incorporates stealth, supermaneuverability, supercruise, integrated avionics and large payload capacity. The aircraft is expected to succeed the MiG-29 and Su-27 in the Russian military service and has also been marketed for export.

After repeated delays, the first Su-57 entered service with the Russian Aerospace Forces (VKS) in December 2020.

Origins

In 1979, the Soviet Union outlined a need for next-generation fighter aircraft intended to enter service in the 1990s. The programme became the I-90 (Russian: И-90, short for: Истребитель 1990–х годов, lit. 'Fighter of the 1990s') and required the fighter to be "multifunctional" (i.e. multirole) by having substantial ground attack capabilities, and would eventually replace the MiG-29 and Su-27 in frontline tactical aviation service.

Though not a participant in the MFI, Sukhoi started its own programme in 1983 to develop technologies for a next-generation fighter, eventually resulting in the forward-swept wing S-32 experimental aircraft, later redesignated S-37 and then Su-47.

Due to a lack of funds after the dissolution of the Soviet Union, the MFI was repeatedly delayed and the first flight of the MiG 1.44/1.42 prototype did not occur until 2000, nine years behind schedule.

Because of Russia's financial difficulties, the programme aimed to rein in costs by producing a single multirole fifth-generation fighter that would replace both the Su-27 and the MiG-29. Further cost-saving measures include an intended size in between that of the Su-27 and the MiG-29 and normal takeoff weight considerably smaller than the MiG MFI's 28.6 tonnes (63,000 lb) and the Su-47's 26.8 tonnes (59,000 lb).

In April 2002, the Ministry of Defence selected Sukhoi over Mikoyan as the winner of the PAK FA competition and the lead design bureau of the new aircraft. In addition to the merits of the proposal, Sukhoi's experience in the 1990s was taken into account, with the successful development of various Su-27 derivatives and numerous exports ensuring its financial stability.

Design

The Su-57 is a fifth-generation multirole fighter aircraft and the first operational stealth aircraft for the Russian armed forces. In addition to stealth, the fighter emphasizes supermaneuverability in all aircraft axes, capacious internal payload bays for multirole versatility, and advanced sensor systems such as active phased-array radar as well as the integration of these systems to achieve high levels of automation

The aircraft has a wide blended wing body fuselage with two widely spaced engines and has all-moving horizontal and vertical stabilisers, with the vertical stabilisers canted for stealth; the trapezoid wings have leading edge flaps, ailerons, and flaperons. The aircraft incorporates thrust vectoring and large leading edge root extensions that shift the aerodynamic center forward, increasing static instability and maneuverability.

Designed from the outset as a multirole aircraft, the Su-57 has substantial internal payload capacity that allows the carriage of multiple large air-to-surface ordnance. Weapons are housed in two tandem main weapons bays in the large ventral volume between the widely spaced engine nacelles and smaller side bays with bulged triangular-section fairings near the wing root.

The first aircraft in Russian military service to emphasize stealth, the Su-57 employs a variety of methods to reduce its radar signature. Similar to other stealth fighters such as the F-22, the aircraft aligns the planform edges to reduce its radar cross-section (RCS); the leading and trailing edges of the wings and control surfaces and the serrated edges of skin panels are carefully angled to reduce the number of directions the radar waves can be reflected. Weapons are carried internally in weapons bays within the airframe and antennas are recessed from the surface of the skin to preserve the aircraft's stealthy shape, while radar absorbent material (RAM) coatings absorb radar emissions and reduce the reflection back to the source.

As with other stealth fighters, the Su-57's low observability measures are chiefly effective against super-high-frequency (between 3 and 30 GHz) radars, usually found on other aircraft. The effects of Rayleigh scattering and resonance mean that low-frequency radars, employed by weather radars and early-warning radars are more likely to detect the Su-57 due to its size.

Megathreads and spaces to hang out:

reminders:

  • 💚 You nerds can join specific comms to see posts about all sorts of topics
  • 💙 Hexbear’s algorithm prioritizes comments over upbears
  • 💜 Sorting by new you nerd
  • 🌈 If you ever want to make your own megathread, you can reserve a spot here nerd
  • 🐶 Join the unofficial Hexbear-adjacent Mastodon instance toots.matapacos.dog

Links To Resources (Aid and Theory):

Aid:

Theory:

  • viva_la_juche [they/them, any]
    ·
    22 days ago

    So the Nintendo music app thing is like a nice little micocosm example of what I hate about how liberals view the world and respond to criticism of something

    Lot of people pointed out that there’s no credits for any of the people who worked on the compositions

    And a lot of people have unsurprisingly jumped in to say “um ah ha… as a person working for a Japanese company/japanophile/whatever allow me to explain.. you see in Japan there’s an expectation that everything belongs to the company and that’s the face of everything”

    And no shit. That’s what’s being criticized. Pointing at the reality of a situation isn’t an excuse for it? But their brains never work past this point. It’s institutional and is therefore just a fact of nature, beyond reproach.

    • Redcuban1959 [any]
      ·
      22 days ago

      Lot of people pointed out that there’s no credits for any of the people who worked on the compositions

      Iirc, a lot of women didn't get proper credit while working on Video Game OST. Many of them are only recently receiveing the praise they deserve. I think the composer of Resident Evil 3 (The PS1 one), Saori Maeda (Utsumi nowadays), has a youtube channel with her husband, Hideaki, and they post videos with their pet birds daily (probably known for the Red Bird meme).

      • viva_la_juche [they/them, any]
        ·
        22 days ago

        Wouldn’t surprise me in the least. I’m not exactly the most plugged into that space but like … yoko shimomura is like the only composer that occurs to me off top

        • Redcuban1959 [any]
          ·
          22 days ago

          This is not exclusive to Japan, it's a problem in the entire gaming industry, specially during the 1980's and 1990's. Tommy Tallarico basically stole all the credit from most of the people who used to work for him, and the guy seems like a really weird person.

          • viva_la_juche [they/them, any]
            ·
            edit-2
            22 days ago

            Yea the whole of capitalist corporate culture honestly is people at the top taking credit for the wins from those below them and leaving the blame for failures on them. I think that’s why i find it annoying. It’s all basically another “murder goes against Japanese tradition” kinda post lol

    • Frank [he/him, he/him]
      ·
      22 days ago

      Moralism isn't change. It isn't even incremental change. It's control.