In aerobatics, the cobra maneuver (often shortened to the cobra), also called dynamic deceleration, among other names, is a dramatic and demanding maneuver in which an airplane flying at a moderate speed abruptly raises its nose momentarily to a vertical and slightly past vertical attitude, causing an extremely high angle of attack and momentarily stalling the plane, making a full-body air brake before dropping back to normal position, during which the aircraft does not change effective altitude.

It is sometimes called Pugachev's Cobra named after Viktor Pugachev, the first pilot to bring the maneuver to the public eye.

The maneuver relies on the ability of the plane to be able to quickly change angle of attack (alpha) without overloading the airframe, and sufficient engine thrust to maintain nearly constant altitude through the entire move, but also post-stall stability and aerodynamics that allows for the recovery to level flight. The maneuver demands accurate pitch control, alpha stability and engine-versus-inlet compatibility for the aircraft, as well as a high skill level on the part of the pilot.

The cobra maneuver is an example of supermaneuverability, specifically poststall maneuvering. The Herbst maneuver and the helicopter maneuver are similar post-stall maneuvers that are often executed by 4.5th Generation and 5th Generation fighter aircraft employing thrust vectoring.

The maneuver is typically performed at air shows, but could be used as a last-ditch maneuver to force a chaser to overshoot in close-range air combat. The maneuver has never been verified in real combat, although it has been used during mock dogfights and border protection.

Execution (Sukhoi Su-27)

In the case of the Su-27, to execute the maneuver the pilot initially disengages the angle of attack limiter of the plane, normally set at 26°. This action also disengages the g limiter. After that, the pilot pulls back hard on the stick. The aircraft reaches an angle of attack of 90–120° with a slight gain of altitude and a significant loss of speed. When the elevator is centered, the drag at the rear of the plane causes a torque that makes the aircraft pitch forward. At the same time, the pilot adds power to compensate for the reduced lift.

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  • OldMole [he/him]
    ·
    2 years ago

    The modern isekai genre is extremely bizarre. There are maybe fifty mangas that are nearly identical, all very focused on a protagonist that doesn't really have a personality and almost no agency in the story. What if a slight variation of the same good things that happen in all those other stories also happened at this slightly different uninteresting guy? I hope psychologists are studying this, it feels like a symptom of a society that is very unwell.

    • WoofWoof91 [comrade/them]
      ·
      2 years ago

      i saw (on here maybe?) someone say that one of the reasons is because most of the writers have no actual life experiences or personal connections anymore, so they base their work entirely on other people's work

      • Ideology [she/her]
        ·
        edit-2
        2 years ago

        :zizek: This is pretty much it.

        Like, for example, My Lesbian Experience with Loneliness was its author's first real published work. But it exploded in popularity almost immediately because it's a very raw diary of her real life experiences and alienation. It's even on wikipedia as one of the primary examples of a Josei manga.

        Compare that to What if I had Unpure Thoughts about Loli girls in MMO dungeons Part 376 and its 40 clones.

    • CyborgMarx [any, any]
      ·
      2 years ago

      And most anime fans seem to have developed Stockholm like symptoms about it, instead of just admitting something is deeply wrong with the anime industry

    • Trouble [she/her]
      ·
      2 years ago

      So is isekai in Japan like capeshit in the US? Extremely popular, mass produced, and basically written by algorithm?

    • prolepylene [he/him, comrade/them]
      ·
      2 years ago

      I think this is the exact same phenomenon that causes most video game protagonists to be gruff white guys with short hair who are mostly silent. Its all about projection.

      Now that the medium is popular around the world, the isekai protag needs to be as bland and relatable as possible to the target audience, because the basic story beat of the genre is "What if this boring and overlooked guy stuck in a cruel yet boring world with no hope for a better future (you) was suddenly transported to a vibrent and interesting world where they are extremely important (don't you wish that was you?)." If the protagonist has personality, then it risks ailenating members of the audience who will realized that the character isn't them and loose interest.