Charlie “Bird” Parker was one of the wonders of 20th-century music. During his troubled 34 years on earth, he changed the course of jazz history. Yet nothing is simple about the life of this drug-ravaged, volatile genius; even the inspiration for the saxophone maestro’s famous nickname is shrouded in folklore.

Charles Christopher Parker Jr was born on 29 August 1920 in Freeman Avenue, Kansas City. Parker’s upbringing was difficult. His father Charles was a drunken gambler – and a pimp, according to Parker’s third wife – who left the family home when Parker was nine and was subsequently stabbed to death in a fight when his son was still a teenager. Parker did, at least, inherit a love of music and from the age of 12, was hanging out in the alleyways behind the nightclubs lining Kansas’s 12th Street, trying to hear a jam session or catch a glimpse of his saxophone hero Lester Young.

Parker’s life has been thoroughly mythologised, including the time in 1936 when he got his chance to sit in on one of the famous jam sessions with Count Basie’s band at the Reno Club. According to legend, the 16-year-old’s error-ridden solo so infuriated Jo Jones that the drummer hurled a cymbal at Parker.

Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. He was known for the very clear, sweet and articulate notes he could produce from the saxophone.

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  • Cromalin [she/her]
    ·
    2 years ago

    if people find self fulfillment they aren't going to stop doing something they love. and most people aren't doing particularly unique art rn, so ai being able to imitate it shouldn't matter too much

    • BlueHairWithGuns [they/them]
      ·
      2 years ago

      Honestly, neither of those things are comforting for me and mean nothing to someone who does art as a job and relies on it to live.

      "most people aren’t doing particularly unique art rn"

      People shouldn't need to do "unique" art for their self expression to be valuable. Fuck that.

      What artists need right now is material support and material reasons for their job to continue to exist, not abstract notions of "human expression" or "fulfillment".

      • Cromalin [she/her]
        ·
        2 years ago

        that's definitely not what i said? i misread your concern, i thought you were talking about hobbyists so my first point isn't relevant and i'm sorry about that, but that's definitely not what i said.

        my argument with my second point was that ai art isn't as big a deal as techbros make it out to be because currently and for a while to go it's going to be more expensive to us ai art than to just commission something. and without a price advantage, which i think is a long ways off, i don't think the tech is nearly as advanced as these people like to ask, the uniqueness of a persons art isn't relevant, so it being copied by an ai won't matter. these are valid concerns, i just think it's not going to be important for a long time.

        People shouldn’t need to do “unique” art for their self expression to be valuable. Fuck that.

        i agree with this, and i'm not sure how you got the idea that i didn't. again, sorry i misread your thing, you are right to be worried, and i totally get if my post isn't reassuring at all because i don't know too much about this, i just know that behind the curtain there's a lot of fiddling going on to make this tech seem more advanced than it is.

        • BlueHairWithGuns [they/them]
          ·
          2 years ago

          I'm sorry I was so touchy, as an art hobbyist myself seeing computers just... conjure images has really demotivated me, because I can just see people in the future actually saying to me "why do you draw you can just use DALLE" so I'm unhealthily invested in this subject. I'm making one more post and then logging off for a bit, actually (which I know is funny on a brand new account).

          i agree with this, and i’m not sure how you got the idea that i didn’t. again, sorry i misread your thing, you are right to be worried, and i totally get if my post isn’t reassuring at all because i don’t know too much about this, i just know that behind the curtain there’s a lot of fiddling going on to make this tech seem more advanced than it is.

          I was paranoid because I've seen the take that artists just need to "adapt" and make new art styles a few times. I'm sorry, again, I'm sorry for being so confrontational.

          • Cromalin [she/her]
            ·
            2 years ago

            i get that. it's fine, i reread your original post and that worry is definitely more realistic than my first comment gave it credit. i still feel like it's a long ways away, but it could come quicker than i think