Charlie “Bird” Parker was one of the wonders of 20th-century music. During his troubled 34 years on earth, he changed the course of jazz history. Yet nothing is simple about the life of this drug-ravaged, volatile genius; even the inspiration for the saxophone maestro’s famous nickname is shrouded in folklore.

Charles Christopher Parker Jr was born on 29 August 1920 in Freeman Avenue, Kansas City. Parker’s upbringing was difficult. His father Charles was a drunken gambler – and a pimp, according to Parker’s third wife – who left the family home when Parker was nine and was subsequently stabbed to death in a fight when his son was still a teenager. Parker did, at least, inherit a love of music and from the age of 12, was hanging out in the alleyways behind the nightclubs lining Kansas’s 12th Street, trying to hear a jam session or catch a glimpse of his saxophone hero Lester Young.

Parker’s life has been thoroughly mythologised, including the time in 1936 when he got his chance to sit in on one of the famous jam sessions with Count Basie’s band at the Reno Club. According to legend, the 16-year-old’s error-ridden solo so infuriated Jo Jones that the drummer hurled a cymbal at Parker.

Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. He was known for the very clear, sweet and articulate notes he could produce from the saxophone.

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  • ThisMachinePostsHog [they/them, he/him]
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    edit-2
    2 years ago

    Not to sound like a music snob, but look at the good chunk of pop music that's churned out by corporate music factories. It's super cliché, soulless, and it's bought up by the masses - but that doesn't stop other artists from creating masterpieces of emotion and soul. Real art will never die out, because it's one of the only ways many people can truly express themselves.

    • BlueHairWithGuns [they/them]
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      edit-2
      2 years ago

      I mean, first, AI generated art is even easier to make then pop songs are, and second, visual arts being brought to the same place as music is still enough to suck. A lot.

      Third, it's hard to tell the difference between AI generated art and human-made art, while pop music is it's own distinct genre which is separated from other genres in both quality and intention. While AI generated art can come very close to human made art in quality, and it's only difference in the long term is intention.

      • Catherine_Steward [she/her]
        ·
        2 years ago

        visual arts being brought to the same place as music is still enough to suck

        shitty, low-effort visual art already exists and has existed for as long as visual art has existed. this is such a melodramatic take