• Shoegazer [he/him]
    ·
    2 years ago

    While I do agree on principle, it’s important to note that Miyazaki said this after being presented an AI that controlled a monster which he thought was insulting to disabled people

  • jkfjfhkdfgdfb [she/her]
    ·
    2 years ago

    can we stop being weird about this and just make it a matter of artists getting paid

    i'd agree with it (within the current circumstances) then

    but when it's all this mystical nonsense about the human soul or whatever i wanna support AI art just to spite it

    • Awoo [she/her]
      ·
      edit-2
      2 years ago

      but when it’s all this mystical nonsense about the human soul or whatever

      This really sounds like the attitude of someone who really doesn't like art? What is art if not an expression of humanity, the emotion of the artist and their experiences bringing them to make a particular piece of art that also inspires genuine emotion in you when you just stand there and look at it?

      It doesn't sound like the kind of thing that someone who really enjoys and appreciates art would ever think. When I look at any art at the gallery I am connected with the artist that made it, who stood or sat in front of it making it, sometimes hundreds of years ago, who had a variety of life experiences vastly different to my own and made the piece with the specific intents. What is there in AI pictures that can be considered art? "Ooo this algorithm is quite good" ? That's it. There's no expression of the "human soul" because none of the weight of being human is behind it.

      Now, is it an insult? I don't know about that. But it is pretty naff by comparison. Calling it soulless seems quite accurate to me at least.

      • UlyssesT
        ·
        edit-2
        1 month ago

        deleted by creator

        • jkfjfhkdfgdfb [she/her]
          ·
          edit-2
          2 years ago

          only see the value in “photorealistic” pieces

          :cringe:

          (most of those have less value than even the worst ai stuff as far as im concerned)

        • UlyssesT
          ·
          edit-2
          1 month ago

          deleted by creator

      • jkfjfhkdfgdfb [she/her]
        ·
        2 years ago

        When I look at any art at the gallery I am connected with the artist that made it, who stood or sat in front of it making it, sometimes hundreds of years ago, who had a variety of life experiences vastly different to my own and made the piece with the specific intents.

        ok i can definitely say i've never done this

        like analyzing techniques being used for whatever purpose i can do (although mostly i just go "wow cool art")

        but not this whole connection thing

        • Awoo [she/her]
          ·
          2 years ago

          Try it sometime. You're not just looking at a pretty picture, you're looking at something someone poured emotion into and intended to draw out various emotions in you, either with colour choice, aggression or softness, framing, and so on.

          • UlyssesT
            ·
            edit-2
            1 month ago

            deleted by creator

            • Awoo [she/her]
              ·
              edit-2
              2 years ago

              It is woo but that doesn't make it not real? We are emotional animals and all of the above are emotional experiences. If they really wanted to break it down into some sort of laboratory understanding of the process it is a bunch of synapses firing off in the brain mixed with all the bodily chemicals and hormones and organs elsewhere in the body firing off their various influences and also being influenced by those synapses. It's real to the extent that it's an emotional reaction and experience we are capable of having to art, to history, to colour, to writing, even to specific arrangements of textures.

              I've seen a few of Rothko's paintings up close and what struck me when I was standing and taking them in were the textures, these are not just images they are 3d objects and everything about them from the speed of a brush stroke to the layers imparts different feelings, you can see a fast aggressive stroke, you can see thick layered up mountains of paint, licks and crevices and blobs as much as 1 to 2cms deep at times. Your brain starts building patterns, trying to understand the image in front of it, you experience so much more than just "pretty picture".

              One of the things many people need is to have this taught to them, I think part of being able to understand and engage with art is being able to take this in. For some they simply do not have the thought, they can't engage with the art at an experiential level because they've never been shown how, because ultimately doing so is an inward thing engaged by a thought process. The viewer needs to fire off the first synapses to get the entire system firing correctly.

          • SadStruggle92 [none/use name]
            ·
            2 years ago

            Idk if this is a real quote, but I've heard it said that Da Vinci noted that there are three kinds of people. Those who see, those who see when shown, and those who do not see. I know from experience that I mainly reside among the latter two of those categories in terms of the extent to which I'm capable of engaging with this kind of thing. And I suspect that's probably true of the person you're responding to.

        • Frank [he/him, he/him]
          ·
          edit-2
          2 years ago

          So, the thing is, that almost every art piece worth paying attention to is deeply connected to a moment in history, to politics, to religion, to culture.

          Artemisia Gentileschi's Judith beheading Holofernes was created by a woman who was sexually assaulted and then humiliated by the courts when she tried to get justice. It depicts a scene from the bible where a woman uses cunning to assassinate a foreign general leading an army against her people. Artemisia was exceptional as a woman who was able to make a career of fine art in a time where that was extremely uncommon.

          Artemisia's Judith Beheading Holofernes is part of a rich tradition of depicting this scene that stretches from the distant past to the modern day. By studying these paintings you can see the progression of European art through many phases. Judith Beheading Holofernes also has an important cultural role in representing how women were viewed and treated at different points in European history.

          There is so much complex history and culture tied up in this theme. There are dozens of versions in dozens of artistic styles. Looking through them you can learn important things about the clothing of the time, the evolution of artistic techniques, even the evolution of European swords.

          AI can't do any of this. It just slavishly remixes what was fed in to it. It's completely devoid of semantic meaning.

    • UlyssesT
      ·
      edit-2
      1 month ago

      deleted by creator

      • jkfjfhkdfgdfb [she/her]
        ·
        2 years ago

        the linked article

        I strongly feel that this is an insult to life itself.”

        definitely seems like that sort of shit to me

        • UlyssesT
          ·
          edit-2
          1 month ago

          deleted by creator

          • jkfjfhkdfgdfb [she/her]
            ·
            edit-2
            2 years ago

            when did i say it was

            oh, did you interpret "we" as meaning, like, hexbear posters?

            • UlyssesT
              ·
              edit-2
              1 month ago

              deleted by creator

            • UlyssesT
              ·
              edit-2
              1 month ago

              deleted by creator

                • UlyssesT
                  ·
                  edit-2
                  1 month ago

                  deleted by creator

  • BabaIsPissed [he/him]
    ·
    2 years ago

    I just don't understand why we have to moralize the subject like this, it makes the thing feel more threatening than it actually is.

    Researchers used AI art generation to demonstrate how well they could model images+text (plus it pairs nicely with how these models are trained). They were not trying to replace artists because that's stupid on the face of it. Guillermo points the core reason why pretty eloquently, the model doesn't feel anything, it isn't conscious, how the fuck is it gonna make art that resonates? I'll go one step further: you can never make it spit out what is in your mind's eye, that can only come about with you putting in the effort to bring it to reality with your own hands.

    Of course, porky want money and some idiot is gonna try to make a movie generated entirely by AI in the next like 5 years or something. But it is going to suck, obviously. So, IMO the best course of action is to recognize that the tech is neat (because it obviously is) and laugh the idiots that want to SOLVE ART out of the room when they are inevitably proven wrong.

    TL;DR: It's not an insult to life itself, it's a stupid techbro pipedream, don't make them look cool

    • UlyssesT
      ·
      edit-2
      1 month ago

      deleted by creator

  • RION [she/her]
    ·
    2 years ago

    It is December 17th, 2022. Another AI Art struggle session has started on Hexbear. :manhattan:

    • Frank [he/him, he/him]
      ·
      2 years ago

      The shocking arrival of a crime that was inconceivable even a few years ago and has no precedent in history is certainly going to elicit a few discussions.

  • CanYouFeelItMrKrabs [any, he/him]
    ·
    edit-2
    2 years ago

    The animation they Miyazaki looked creepy since it was a monster looking thing. If it looked like a cute robot figuring out how to walk I think it would've been received better

    I think it was simulating walking which hardly seems like a bad thing to figure out for the sake of vehicles. Imagine a Mars rover with legs climbing up rocks

  • berrytopylus [she/her,they/them]
    ·
    edit-2
    2 years ago

    People who feel threatened by new technology impacting their job don't like new technology, more news at 11.

    Ok but seriously half the complaints I see about this are more about how society hasn't used increased productivity as a way to improve all of society rather than any actual good reason for why AI creations must be inherently immoral. Any reasonable and good government would have social safety nets for everyone so you don't need to fear new tech and endowments/funding for human art.

    If you're an artist scared that you'll lose your income your complaint should be based around your society and capitalism.

    • UlyssesT
      ·
      edit-2
      1 month ago

      deleted by creator

  • Frank [he/him, he/him]
    ·
    2 years ago

    It's extremely reassuring that so many artists I respect consider this an horrific and unsupportable.

    • Frank [he/him, he/him]
      ·
      2 years ago

      Also, this is immoral because a bunch of techbros stole humanity's entire cultural legacy, including the work of millions of living artists, to create a horrific parody of art that they intend to use to destroy the very millions of artists whose work they stole then use their infernal device to seize control of all forms of visual media and extinguish the very possibility of new or creative art.

      Just like every other tech bro disruption.

      The only real question is whether they'll get away with it.

  • pastalicious [he/him, undecided]
    ·
    2 years ago

    The biggest problem is living in capitalism. AI being used to eliminate labor cost. If we didn’t have to live this way it would be a lot less threatening. But could there also be a danger in making AI that distances people from tasks that make them happy? If there was a robot available to everyone that cooks better than you could ever hope to cook would that discourage you from trying to learn, or if you already knew how but the robot was still on a whole other level would you bother to use your cooking skills? “Hey babe sorry you have to eat my less delicious pasta I wanted to cook instead of using the robot.” Throughout life when I’ve felt depressed I’ve found that activities that let me feel my self efficacy are almost always helpful. That’s the only angle I can come up with for “AI bad”. And I’m only thinking of activities that make people happy. Absolutely fucking replace every thankless, miserable task with AI and machines.

  • CyborgMarx [any, any]
    ·
    2 years ago

    You know what you can do del Toro, sanction them, sanction the AI creators with your army, OH WAIT YOU AIN'T GOT AN ARMY!

    Guess you need to shut the fuck up and develop a real theoretical framework that critiques the forces that really generates this "insult to life"

  • UlyssesT
    ·
    edit-2
    1 month ago

    deleted by creator