I've heard this but can't really search for verification. Supposedly this law forces all Chinese videogames to be set in fantasy settings. Nothing in the real world.
If this law exists I argue it should be removed. It's holding their industry back from making any culturally relevant content because nothing can be set in our world, about real lives, people or places. You'll never get a Death Stranding or Metal Gear out of China while it exists. They should untether their industry so it can produce more of cultural relevance.
Can anyone verify?
Idk if this is true or not, but if it's not true it should be imo
way too much 'common knowledge' of science, history, politics in the west (i've never lived outside it so idk what its like outside) is based on what people see on tv/fiction/twitter/etcetc, which is made 1. by people without expertise in the subject 2. by people aiming to entertain (and profit) more than to inform.
This creates extremely distorted views of history. It communicates outright wrong or fabricated information mixed (without distinction) with truths for extra confusion. It communicates idealist ways of thinking about history, as great man theory abounds because of literary requirements for characters and a compelling narrative. And then such media usually portrays knowledge of history as more complete/settled than it actually is, because long descriptions of theories and countertheories make sales plummet
Socialist countries still exist in a world with an incomplete revolution and shouldn't kneecap their artistic industries from contributing to the cultural front of this fight. Maybe you're right in a post-capitalist world, but as it stands right now it just provides cultural hegemony to the US by having absolutely nothing competitive in this field.
"Falsification of history" (or science, etcetc) isnt a thing I get the impression the cpc wants to support (and frankly i dont support it either, but im just one poster)
"Cultural fight on this front" cultural fights to falsify history in the name of profit-driven consumer-entertainment dont sound like things historical materialists should be engaging in. Falsifying the history we're materially analysing is a recipe for disaster. Frankly the whole idea of a "cultural battle" that can be fought, lost or won reeks of the german ideology Marx was criticising:
I do not think writing fiction for entertainment art is "falsifying history".
With that said, if you think it IS falsifying history then you must also admit that failure to compete in this space means giving this entire entertainment sector to the capitalists to falsify history in the way they want it with literally no counter balance.
If the setting is "historical" or "realistic" it is imo, bc, as I said above, you have to present history reductively, as a compelling, coherent narrative and with the unknowns smoothed out or filled in by imagination. (And all that is assuming the writer has done research into the topic—most artists dont)
The history of knowledge of druids, witches, the middle ages, the middle east and more demonstrates how distorted views can become when the tendencies of capitalist media are allowed to run rampant. Anti-indigenous racism are more serious examples of how these distortions can be harmfulm.
More general fiction outside of "historical fiction" isnt what the post is about, so idk why youre bringing it up. If theres dragons, magic, etc and it doesnt take place in "real life" people are significantly less likely to confuse stuff in it for real facts about histories or cultures.
As I understand it, that's a large part of why the firewall exists isnt it? So that the western created ideological products dont become the cultural mainstream?
Oh man better burn Dickens or every other author that wrote fiction set in a period of history then?
This is silly.
Yes and is precisely why there should be a counterbalance to it produced out of socialist countries. Non-participation simply hands the entire sector over to them.
No. The firewall prevents the american tech companies from owning all the websites. The firewall allowed for Chinese companies to own the Chinese internet instead of facebook, google, twitter, etc etc. The firewall does not prevent the consumption of western artistic produce in the entertainment sector.