I watched it. It does sound a lot worse when you read the plot because the movie is made in a way that makes it look smarter than it is. However it still drowns in cringe.

The reality that the US are collapsing is drenched in exceptionalism. The sole tragedy of it is that it's gonna end, boohoo. The evil of capital is depicted as individual failure. Homosexuality is suspiciously always represented in the context of decadence (worse, Julia is kissing a girl in the beginning, but everything becomes a lot cooler when she falls inlove with a man). Of course the main antagonist is a black man, but at least he can have a redemption arc, which is not the case of the overtly sexualised blond woman and her associate, a young queer man. Old cishet white men are cool however. The things that are utopian about Megalopolis are vague or perfectly achievable right now with DotP. Like, they say there's gonna be no homelessness, the least technology-related problem in the world lol. It goes on