Yeah, but I think given Shelley's circles more radical tendencies, the interpretation of some revolutionary allegory is a strong one, especially when you think of that Rousseau(?) poem about the ruling class creating the 'monsters' that will destroy them.
The Monster isn't some child killer with a tough past, he's a child born into an adults body, cast out into the cold by his creator, and then spurned on account of his perceived inhumanity by every living being.
Most murderers get accepted by some initially, and when they don't it's on account of their bad vibes. The Monster showed himself to be very emotionally capable in spite of his troubles, and capable of living amongst humanity, especially in his covert benevolence towards the blind mans family. He even rescues a child, but is then shot at because people perceive him to be a monster.
Yeah, but I think given Shelley's circles more radical tendencies, the interpretation of some revolutionary allegory is a strong one, especially when you think of that Rousseau(?) poem about the ruling class creating the 'monsters' that will destroy them.
The Monster isn't some child killer with a tough past, he's a child born into an adults body, cast out into the cold by his creator, and then spurned on account of his perceived inhumanity by every living being.
Most murderers get accepted by some initially, and when they don't it's on account of their bad vibes. The Monster showed himself to be very emotionally capable in spite of his troubles, and capable of living amongst humanity, especially in his covert benevolence towards the blind mans family. He even rescues a child, but is then shot at because people perceive him to be a monster.