In the Philosophie de la misère all the defects of Proudhon’s method of presentation stand out very unfavourably in comparison with Qu’est-ce que la propriété? The style is often what the French call ampoule. High-sounding speculative jargon, purporting to be German-philosophical, appears regularly on the scene when his Gallic astuteness fails him. A noisy, self-glorifying, boastful tone and especially the twaddle about “science” and sham display of it, which are always so unedifying, are continually jarring on one’s ears.
Marx was truly one of us
He was such a poster.