So the main difference to me is that Jyocho (and much of Daijiro's stuff) is based around index-pinky taps on the left hand and index-middle taps on the right (so more fingers involved, and often wider hand spreads)
Yvette writes good riffs, especially on this album, Effloresce, she just plays in a different style (edit: realized I never finished this sentence, sorry I'm distracted since I'm browsing chapo during a union meeting minutes-approving)
And that hand shift/flip is absolutely a flex (you can pretty much play it the same without doing it)
Nito is all about the flex, and he plays really well (although his song writing isn't my thing)
There are full tabs for a couple of Jyocho's tracks and once you realize that he always uses DADGAd (Open Dsus4) for every Jyocho track it gets easier to figure them out (although his old band, Uchu Conbini, often uses DADF#Ad/open D)
Also, Open Dsus4 is a really good blues/folk tuning as well (since it's not fully major or minor)
Also sick union flex edit I’m not in one AND you’re probably better at math rock than my wtf what’s next you’re also a trained chamber singer that can do 4 octaves
Lol no, I'm a pretty poor singer (can't quite get my voice to do what I want), and you will definitely get gud/better if you keep practicing!
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So the main difference to me is that Jyocho (and much of Daijiro's stuff) is based around index-pinky taps on the left hand and index-middle taps on the right (so more fingers involved, and often wider hand spreads)
Yvette writes good riffs, especially on this album, Effloresce, she just plays in a different style (edit: realized I never finished this sentence, sorry I'm distracted since I'm browsing chapo during a union meeting minutes-approving)
And that hand shift/flip is absolutely a flex (you can pretty much play it the same without doing it)
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Nito is all about the flex, and he plays really well (although his song writing isn't my thing)
There are full tabs for a couple of Jyocho's tracks and once you realize that he always uses DADGAd (Open Dsus4) for every Jyocho track it gets easier to figure them out (although his old band, Uchu Conbini, often uses DADF#Ad/open D)
Also, Open Dsus4 is a really good blues/folk tuning as well (since it's not fully major or minor)
Lol no, I'm a pretty poor singer (can't quite get my voice to do what I want), and you will definitely get gud/better if you keep practicing!
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Ooh nice, thanks for the rec!
You'd probably like Ichiko Aoba , she's another effortless folk guitarist/singer
Her new album is amazing
And non-standard tunings are the best, although sometimes I end up circling back to standard because I just want to play some Deafheaven
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