My family are mostly Democrat voting liberals and I identified as one for years. When I was in 5th grade I spent more time with my Fox News-watching grandparents and became a Republican for like a year or 2 and became an apolitical lib for a while. From like 2015-2019 I was a Bernie bro who had some objectively shit takes. The biggest 180 I did was probably on the sex trade. I used to be for it as a horny teen like “huh? Did someone say SeX?? Well it’s all ConSeNsUAL so why cockblock someone from getting some PuSsY?” Obviously now I realize that’s a disgusting sentiment and that most people in the industry are not happy and would rather do anything else. Just because a few are happy with their line of work, it doesn’t make it right to force so many others into a position where they feel abused and humiliated or threatened. “Legitimacy of industry” in terms of prostitution always means lining the pockets of abusive pimps (physical or anything else) who will use the opportunity to get rich and usually fund illegal markets (source: Look at Nevada). Enough about me, what topics have become more clear to yall after becoming a communist? I could probably list a few others but I’m interested in seeing what yall say.
I am a 5th year Animation student, currently working on my group's and mine second 3d animation short so far. It's anti-capitalist in its message, but I rly wonder how the storytelling could be different in a marxist direction. Obv we weren't exactly taught to create communist films (tho we got at least one communist teacher.) Either way, I'll take anything you can give me o.O
Would the work of Bertolt Brecht be of any use to you? I'm unsure of the overlap but it seems that a Marxist approach to theatre/drama could be helpful?
Yoo totally! Thx for the suggestion, I'll make sure to look into him. Any specific work you'd have in mind?
Brecht on Theatre seems to be the go-to place to start.
There's a summary here: https://www.bbc.co.uk/bitesize/guides/zwmvd2p/revision/1 but lol:
Yeah, communist intellectuals mf!!
That's a testament to how well regarded he is. He's so important for Western canon that they can't forget him but they want to carve away his Marxism. Familiar story. Be careful about what you read about Brecht. I can't recall how much of a Marxist he actually was. It's been a long time since I looked through On Theatre and when I read it I wasn't a Marxist and didn't notice that he was one but I was oblivious to that kind of thing back then.
I will second Brecht's ON THEATRE. There's some good gems in there.
You probably know this already, but the Soviet Union produced a lot of animations that ventured into uncharted territory, such as "Shooting Range", "Hedgehog in the fog", or "Polygon". They used lots of experimental techniques whose effects you can study and apply. As for storytelling, you might enjoy "The Key", I really like how it builds up towards its final moral.