Sorry for the late response—yes, physical copies exist, and you can get them from amazon.

Yes! My Space Corps trilogy takes place in the near future, where workers have succeeded in taking over the world and have begun to explore the galaxy. The whole thing is available on libgen. The third book in particular deals with climate change as well as future stages of the revolutionary struggle, where new generations arise to sweep the old aside. The first book was inspired by the Iliad; the second, by the Odyssey; the third, because I had run out of Greek epics, by Gilgamesh. No need to feel any guilt about reading it for free; just please tell others about it if you like it.

A lot of the Ivy grad pmc centrists don't know shit about shit, they just know the style choices, catchphrases, and speaking cadences that will get them clocked as thoughtful and competent by the layperson, while letting them ward off questions from smart people that actually probe their depth of knowledge.

See: Disciplined Minds by Jeff Schmidt

leonard leo fuming rn

I've actually run in local elections and won a few of them but I decided to quit when I found myself surrounded by either nazis or their liberal enablers. I don't have the firepower or organization to protect myself or my family from those kinds of people sadly.

The choice is simple.

Biden wins and you can have genocide.

Trump wins and you can also have genocide.

Wow, this is incredibly inspiring. Please direct me to the polls right now!

edit: Also, the USA has never been a democracy. Project 2025, more like Project 1492, am I right?

also edit: if I were president, and the SCOTUS just declared that I am an emperor immune to all prosecution, I would simply imprison my political opponents (plus all landlords and business owners and police officers and soldiers, except those vouched for by workers), I would free everyone currently in prison, establish universal health care, education, and housing, forgive all debt, close all military bases, withdraw the US military from around the planet, return all indigenous land and sovereignty to indigenous people, expropriate all millionaires and billionaires and use their stolen money to pay the current value of forty acres and a mule plus interest to all descendants of slaves (and also pay reparations to every country harmed by the USA (so, every country outside the western bloc)), connect the country with a national bullet train network, dismantle all nuclear weapons, reintroduce covid precautions (deporting to europe anyone who even raises an eyebrow in response), nationalize all corporate and social media and use it to relentlessly bombard the populace with Marxist history and amerikkka bad communist propaganda 24/7, and, as my final act, pull down the American flag that's on top of the White House and declare that the USA has been dissolved and no longer exists

I hope you can find this clip you mentioned. Norwich was an early gateway for me as a teenager. It didn't hurt that people are always impressed for some reason when they see you reading about Byzantium. Norwich is a good writer but not the best historian. I also read and enjoyed his histories of Venice and the Normans. Obolensky I've read a little of. The one I was really avidly consuming while writing this trilogy was Anthony Kaldellis, who has a fantastic podcast about everything Byzantium. He also just released a new one-volume history of Byzantium maybe six months ago. I exchanged a few emails with him and learned so much from his research and the people he interviewed. However, I have my criticisms. The guy is not a Marxist, and if any mention of class struggle comes up in his work, he invariably attacks it. I read maybe ten or twenty percent of his newest book (I've read similar portions of his other books, all of which are interesting), and discovered, much to my horror, that he had adopted Ezra Klein's theory of history: namely, that people just sort of attach themselves to identities for some reason (don't ask why), and then proceed to mindlessly fight over these identities for centuries. It's depressing for me to see this kind of reactionary and superficial viewpoint, one pushed by an Iraq War supporter, especially because Kaldellis has specifically complained about how neoliberalism is destroying his entire field (Byzantium doesn't really fit into STEM). You hate neoliberalism, yet you deploy neoliberal methods to explain the rise and fall of your beloved Byzantium. Hmm, interesting.

Thank you, I hope you like it! Yeah, I got into Byzantium thanks to Medieval: Total War when it first came out. It was just this huge thing that no one had ever told me about, and I wondered (ignorant liberal that I was) how it was possible that an entire civilization could just be totally ignored in the American public school curriculum. Another obvious question is: why was/is it ignored? (The short answer I would venture is that Byzantium, like the medieval Muslim world, medieval China, and plenty of other medieval places, complicates the liberal view of the medieval world as a time of backwardness and barbarism (as well as the fascist idea that medieval Europe was racially "pure"), and therefore calls a lot into question about Western civilization's supposed progress.) Unfortunately, asking these sorts of questions and researching Byzantium isn't a guaranteed path toward communism; plenty of reactionary people are obsessed with Byzantium, and so far as I know, Marxist historians haven't really paid it much attention for decades, since they tend to have bigger fish to fry.

I used this series for research. It's on YouTube now. There's hundreds of episodes.

I think it also has something to do with the bourgeoisie wanting an escape from bourgeois problems. This is one reason why stories like Game of Thrones or even Dune (space feudalism) are so popular. Capitalist class struggle infuriates the bourgeoisie, since they are so obviously the bad guys, which means that they prefer to escape to simpler times, when the bourgeoisie was the underdog, and the evil, petty, but entertaining feudal ruling class was running things.

I recommend an obscure, fun, bonkers SF novel called The Killing Star, which features accelerating metal slugs to 90% c before flinging them into planets. There's also a chapter that takes place on the Titanic. And TNG makes an appearance toward the end. Supposedly the ships in this novel inspired the interstellar vehicles we see in the Avatar movies. There's also an earlier book in this series which features wooden spaceships piloted by kangaroos (though it's all hard SF, I assure you!).

Feel like I should post a link to the first chapter of my fantasy novel, Byzantine Wars, which defies all or nearly all of these annoying tropes. You can read the whole thing there for free, although that website is kind of not my favorite. I can also just send an epub to those who message me. All I ask is that if you like it, please share it with other people who might be interested. The story is basically Jumanji in Byzantium, plus slave revolt, with a magic system mostly inspired by Crouching Tiger, Hidden Dragon.

The tropes I countered were:

• chosen one(s): peasants and workers are the heroes, people can only change things by working together in the name of universal human liberation (the "bad guys" can only fight them by acting like vampires); it's not good versus evil, it's imperialists versus workers; anyone can learn how to use magic;
• the only people who care about bloodlines are imperialists;
• good characters look like shit, bad characters are beautiful;
• Many different cultures are represented here, with many different characters belonging to one culture or another; there are many good and bad Greeks, Muslims, Jews, etcetera, along with plenty of Kurds, Iranians, Africans, Arabs, Armenians, Roma, Assyrians, Turks, Georgians, and more!
• the story is about the Roman Empire versus a slave republic; the Roman government is generally depicted negatively, but most Romans support it; the slave republic is generally depicted positively, though its leaders and people argue with each other and question one another;
• the slaves aren't afraid to do violence against Romans and rarely hesitate to use their own weapons against them;
• I'm super annoyed at how the most popular fantasy series (Game of Thrones, Lord of the Rings, even Harry Potter) just ignore economics almost completely. We see cities that consist of a castle, and that's it. How do these people get their food? Where are their farms? So I definitely paid a lot more attention to this, but worked it into the story. I'm not a fan of writers like KSR interrupting their stories with miniature magazine articles.
• the series mostly takes place in what is now Turkey, Georgia, and the Middle East.
• honestly I like how GRRM includes disabled people in his work (even if he sucks in many other ways) so that was one thing I went for;
• no SA or very little SA;
• the barbarians are more civilized than the Romans;
• women can be horny but are not just objects of lust;
• four main characters: two good ones, one "morally gray" one (sorry), one bad one;
• plenty of trans people (redditors call this "presentism": CW transphobia but

This election will probably be similar to the last ones. IIRC, virtually the same number of people always vote for the Republican presidential candidate. It's just the number of people voting for Democrats that fluctuates. My guess is that Biden will once again win the popular vote, but that he has a 50-50 chance of losing enough swing states to lose to Trump.

Anecdotally, almost no one is enthusiastic about either candidate. I live in a low-population (irrelevant) rural swing state, and I've seen a few Trump flags and stickers, and exactly one car with Biden stickers, and only one Biden yard sign. (I also spend several hours driving around every workday, FML, so I've had a decent look at a rural purple county, as well as a small city that is packed with young white libs and pride flags.) A few months ago I found myself taking a class with a bunch of chuds, and I was shocked at how they were just not that into Trump. Like, the older ones were going to vote for him—one said that he did "an awesome job" as president and that the president "should be a businessman"—but when he got indicted a few months ago (or whatever the fuck happened), they were concerned. "If only he would keep his mouth shut!" It's similar IMO to Democrats being unenthusiastic about Biden yet still showing up to vote for him in droves. The younger dudes I was with were definitely reactionary but I can't recall them expressing any support for Trump of any kind.

Biden got a lot of votes from young folks in the last election, but they/we mostly live in cities and blue states and therefore do not matter. I do think that foreign disasters matter and that "the economy" is only working for people who own a lot of stocks / houses, and that younger folks who express any enthusiasm for Biden risk losing friends. We still have over five months left until election day, and basically every day of Biden's presidency (like Trump's) has been a catastrophe, so we have to see. My theory is that the funniest realistic result is usually what happens in these elections, even if both Biden and Trump are genocidal fascists (redundant) and not funny to the millions who have died because of them. The funniest result would be...I don't know. Trump winning? Trump losing? Both of them dying during a debate (godwilling)?

For a lot of fun, google "covid" + "[virtually any disease]" in order to find out how covid is basically airborne any disease:

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10047479/

I struggled with this as a writer because I had, for decades, wanted to write a fantasy epic, yet after becoming a communist it became extremely obvious to me that nearly all, if not all fantasy and science fiction is reactionary. The genre itself is the problem, because it basically functions as a way for white guys to escape from real world problems (i.e., the world's teeming masses are getting stronger and cannot be stopped).

Even relatively leftwing SFF (Star Trek, Star Wars) is so often unclear about where it stands, politically, that it appeals to reactionaries. One has to dig to realize that Luke is supposed to be with the Viet Cong; Star Trek is basically Horatio Hornblower in space, and spends maybe a total of five minutes (across hundreds of hours of TV and cinema) talking about about socialism (except for DS9). Just a few days ago I told a coworker who liked Episode One that it might be the most racist movie ever made; he had no idea about the Gungans being caricatures of Jamaicans, the Neimoidians being Japanese caricatures, and Watto being a caricature of basically every different race that lives around the Mediterranean, although to my coworker's credit he didn't argue with me when I told him. A small amount of less-famous SFF is a little clearer about where it stands; liberals like Octavia Butler and Ursula K. Le Guin, but fascists don't (as far as I know).

I needed to figure out if there would be fantasy races in my trilogy, and I decided pretty quickly that there wouldn't be. I would throw in some interesting monsters, but that would be it. As for fantasy powers, they would be like Crouching Tiger, but democratized. Anyone who wanted to could learn them, and to avoid the liberal obsession with individualism, they would be based largely on solidarity (with the bad guys using magic like vampires—in order to prey on people).

Fantasy races basically function (as the amazing Graeber quote ITT shows) as an excuse for people to be racist. Tolkien's orcs are basically the Nazi vision of African oriental working class Judeo-Bolsheviks. The Eye of Sauron is Big Brother / the Panopticon / the superego. Rather than in a caricatured form of Europe, my fantasy trilogy would take place in a real historical place (11th century Byzantium) with real historical groups of people (Greeks, Armenians, Turks, Jews, Persians, Assyrians, Arabs, Laz, Georgians, Varangians, Normans, Venetians, and more!) fighting over land many of them have inhabited for centuries if not millennia. This would get sticky and complicated, but I would do my best to do justice to these different groups and keep them human (not idealized) but also entertaining. I wouldn't clothe them in head crests like Star Trek does (much as I love Star Trek) so that I could turn them into easy caricatures and then make fun of them.

That project is finished, and I'm currently posting it chapter-by-chapter here. Eventually it'll be released in paper / ebook form. I've been thinking a lot about releasing it on hexbear to see if anyone likes it (there is a chapter midway through the first book that involves throwing landlords out of their mansions, and two main characters are trans, so there's a lot of hexbear bait, basically).

I'm currently writing a StarCraft fan-fiction, but with all the names and a number of concepts changed, and the racism that is inherent to SFF has come up once again, because StarCraft is fundamentally about three races with inherent strengths and weaknesses battling each other in the Korprulu Sector (the word means something like "bridge" in Turkish). If you look carefully at the OG StarCraft storyline, there is so much weird liberal fascist shit it is fucking unreal (the trope about the revolutionary leader betraying his own followers, the communist-like Zerg only being interested in slavery, genocide, and eugenics (the infested marine is literally a brainwashed suicide bomber), the Protoss basically fighting for landback on Aiur but never really having the strength to pull it off even though they're supposed to be super advanced and powerful, every cinematic involving Terrans basically being about white dudes with southern accents getting brutally killed, and on and on and on...).

All of this ultimately comes down to a dialectical contradiction: everything is similar yet different at the same time.

Sometimes I think Graeber is overrated but this is brilliant.

At the risk of tooting my own horn, my novel Space Corps is about what if a global communist revolution succeeded and began exploring nearby stars with FTL ships? I also have a new fantasy series being released chapter-by-chapter about a slave / worker / peasant uprising in Byzantium. Both the links I provided there are free.

Hi, thanks so much for the questions.

Is this your first novel?

Nope. I think this is around my fifteenth? I'm not sure, I've lost count because I've been cranking these fuckers out for twenty years. I had to unpublish a bunch that I had written before my radicalization because they were too liberal / racist / sexist etc. You can find a communist SF series I wrote here.

What inspired you to write it?

I first found out about Byzantium when I was a teenager playing Medieval: Total War, and I was amazed that I had never heard of this vast empire before. I read the John Julius Norwich history books about it, and was always kind of interested and appreciative of Byzantium, while also being mindful of its mysterious, near total lack of presence in Western culture. Then, a couple of years ago, I finished that last series I just linked you to, and needed a new project to work on. I actually had a few ideas and asked hexbear which one they liked the most. Somebody said Byzantium (one of the ideas), and here I am. The series is a trilogy, and it's complete. The first two books are finished, the third book is in its second draft form and will be completely done in a couple of months. If I post three chapters a week, it will take two years to post everything, at which point I will publish the books in their complete form on amazon. I also really enjoyed researching the fuck out of Byzantium and learning a lot more about it, and wrote this series because I thought Byzantium deserves more attention (with a communist twist, of course). I also wanted to write a fantasy series in which anyone can have magical powers (rather than just the specials versus the poo people), and where you can't really do anything cool unless you work as a team with workers / peasants / slaves / women / colonized people etc. in the name of universal human liberation.

Have you find found it easy to write?

Writing is easy. Making money from writing? That's hard.

Putting my socialist SF novel here in case anyone wants to check it out. I wrote it specifically because SF is such an annoyingly reactionary genre. The first book in the series is a dollar right now and will be free in about ten days, but you can read about fifty pages of it for free right now if you want. Mods remove this if it's inappropriate.

For me, an annoying SF trope is the way other civilizations are so often just, like, space feudalism (Klingons) or even regular feudalism, because the libs writing these books have a hard time making themselves look good without comparing themselves to something so incredibly awful. I tried reading A Fire In The Deep, which is supposed to be this amazing SF novel, and it does have some cool ideas (collective entities made of dogs), but then I got to this scene where this space capitalist was deciding where to invest in the galaxy, and I was like, fuck this. A notable exception is a writer like Arthur C. Clarke, who usually depicts socialist civilizations without naming them as such or really getting into the gritty details.

I'm working on a fantasy series right now which is supposed to upend the most annoying fantasy trope: eugenics. "We are the special powerful people because we are born that way, everyone else is a poo person." I have magic in this series, but it only works if you use it collectively to liberate the exploited, and anyone can use it. It also takes place in Byzantium, since fantasy writers seem to have absolutely no interest at all in that civilization (because it's extremely complex, politically risky, and not well known even though a lot of people who don't write fantasy seem to kind of like it or be interested in it). It's meant as a specific attack on GRRM's idea that feudalism/capitalism is more or less inescapable so you just have to make the best of it, as well as JRR Tolkien's many stunningly orientalist takes in LOTR.

Thank you.