Harry goes from the "kid under the stairs" to essentially being infinitely rich as far as the story is concerned. He is instantly a millionaire in Book One. Money is literally never a problem in the books except when it is for no reason whatsoever.
We can't have a character unable to afford all of the frivolous magic shit. That would create too much character tension and motivation. Who wants to read a story about being poor in a fantasy setting?
As I wrote that, I realized more and more how little thought Rowling put into her created world. He spends time with a poor magic family and they still have things like a family house and land. They don't show adaptations they have to make while living in poverty like cutting costs on food or luxury items.
There was also a mistake on her part by making the dad obsessed with the nonmagical world, yet unable to utilize savvy to benefit himself or his family. I mean if you can't afford to buy clothes from the magical world, and they don't seem all that different from mundane ones, why not get a job in the muggle world where being able to magic shit would give an advantage?
And that in itself speaks to Rowling's lack of creativity. She could've illustrated arbitrary value on things. Like Ron getting dress code violations or teased for only being able to afford muggle shoes or whatever. A kid wearing expensive Air Jordans to magic school and getting a reality check on arbitrary markers of class? That would be interesting and you could still have the story be much the same.
We can’t have a character unable to afford all of the frivolous magic shit. That would create too much character tension and motivation. Who wants to read a story about being poor in a fantasy setting?
The best and most direct counterpoint to Harry Potter on this issue is Terry Pratchett's Tiffany Aching books. It is the chad working-class part-time witch, part-time cheese maker / shepherdess / midwife / village doctor / village psychiatrist, versus the virgin trust-fund kid whose sole ambition is to be a wizard :top-cop:.
I'm imagining a world where spell components are only affordable to the uber wealthy, and everyone else born with magic either has to get a job as a magic cop/troop or never get to use their powers (and in fact it's illegal to try).
There are a few stories like that. I heard there's one where a single ruler who can allocate magic to others and the wealthy surround and pamper them in exchange for power.
Fantasy has so much potential to explore things like wealth and class. It's a shame that jkr is the extent to which most people know the genre.
Reminds me of Reincarnated as a Slime, where the main character can dish out a portion of their power by giving low-ranking monsters a name. Naturally they go out of their way to give names to everyone they can because why would you horde something so beneficial?
Or you could have a conflict between the legal magic of the Oxbridge fancylads at Hogwarts and the illegal magic of impoverished rural witches, nomadic fortune tellers and immigrant sorcerers who can't afford a license to do magic.
I was thinking the big twist partway through the story is that there are no "magical people" at all, and that what you actually need to cast spells is enough people in one place who all want the spell to happen. Cop and troop spells are easy to cast because the bourgeois have class solidarity, but once the proletariat is similarly unified the horizons become literally infinite.
It's a bit on the nose as far as metaphors go, but I like it.
Harry goes from the "kid under the stairs" to essentially being infinitely rich as far as the story is concerned. He is instantly a millionaire in Book One. Money is literally never a problem in the books except when it is for no reason whatsoever.
We can't have a character unable to afford all of the frivolous magic shit. That would create too much character tension and motivation. Who wants to read a story about being poor in a fantasy setting?
As I wrote that, I realized more and more how little thought Rowling put into her created world. He spends time with a poor magic family and they still have things like a family house and land. They don't show adaptations they have to make while living in poverty like cutting costs on food or luxury items.
There was also a mistake on her part by making the dad obsessed with the nonmagical world, yet unable to utilize savvy to benefit himself or his family. I mean if you can't afford to buy clothes from the magical world, and they don't seem all that different from mundane ones, why not get a job in the muggle world where being able to magic shit would give an advantage?
And that in itself speaks to Rowling's lack of creativity. She could've illustrated arbitrary value on things. Like Ron getting dress code violations or teased for only being able to afford muggle shoes or whatever. A kid wearing expensive Air Jordans to magic school and getting a reality check on arbitrary markers of class? That would be interesting and you could still have the story be much the same.
Oh well...
Tbf in 1997, when the first book was published, this wasn't as impossible as it is today
:yea:
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The best and most direct counterpoint to Harry Potter on this issue is Terry Pratchett's Tiffany Aching books. It is the chad working-class part-time witch, part-time cheese maker / shepherdess / midwife / village doctor / village psychiatrist, versus the virgin trust-fund kid whose sole ambition is to be a wizard :top-cop:.
I'm imagining a world where spell components are only affordable to the uber wealthy, and everyone else born with magic either has to get a job as a magic cop/troop or never get to use their powers (and in fact it's illegal to try).
There are a few stories like that. I heard there's one where a single ruler who can allocate magic to others and the wealthy surround and pamper them in exchange for power.
Fantasy has so much potential to explore things like wealth and class. It's a shame that jkr is the extent to which most people know the genre.
Reminds me of Reincarnated as a Slime, where the main character can dish out a portion of their power by giving low-ranking monsters a name. Naturally they go out of their way to give names to everyone they can because why would you horde something so beneficial?
Or you could have a conflict between the legal magic of the Oxbridge fancylads at Hogwarts and the illegal magic of impoverished rural witches, nomadic fortune tellers and immigrant sorcerers who can't afford a license to do magic.
I was thinking the big twist partway through the story is that there are no "magical people" at all, and that what you actually need to cast spells is enough people in one place who all want the spell to happen. Cop and troop spells are easy to cast because the bourgeois have class solidarity, but once the proletariat is similarly unified the horizons become literally infinite.
It's a bit on the nose as far as metaphors go, but I like it.