If you listened to the last episode of Citations Needed, you heard that the CIA funneled money into into cultural institutions like the Iowa Writers Workshop and the Paris Review to win the cultural war against communism. Much of this led to the emphasis on first-person writing and a focus on individual experience.

I don't know about you comrades, but I got Ds throughout secondary (high school) in English. I fucking hated 20th century lit. Are there any pretentious and overly individualistic writers that you blame on the CIA?

  • ButtBidet [he/him]
    ·
    3 years ago

    Ignatius's coverage of the CIA has been criticized as being defensive and overly positive. Melvin A. Goodman, a 42-year CIA veteran, Johns Hopkins professor, and senior fellow at the Center for International Policy, has called Ignatius "the mainstream media's apologist for the Central Intelligence Agency," citing as examples Ignatius's criticism of the Obama administration for investigating the CIA's role in the use of torture in interrogations during the Iraq War and his charitable defense of the agency's motivations for outsourcing such activities to private contractors.[9][10][11] Columnist Glenn Greenwald has leveled similar criticism against Ignatius.[12]

    Reading his Wikipedia page, you'd swear he's on the CIA payroll

    • inshallah2 [none/use name]
      ·
      3 years ago

      I'll leave this here: David Ignatius.

      on the CIA payroll

      Well, if he's not on their payroll - he's a fool. Also - his dad...

      Paul Robert Ignatius, a former Secretary of the Navy (1967–69), president of The Washington Post, and former president of the Air Transport Association.

      Just scanning the page I found some odd stuff...

      Opera

      In May 2015, MSNBC's Morning Joe announced that Ignatius would be teaming up with composer Mohammed Fairouz to create a political opera called The New Prince, based on the teachings of Niccolò Machiavelli. The opera was commissioned by the Dutch National Opera. Speaking with The Washington Post, Ignatius described the broad themes of the opera in terms of three chapters:

      The first chapter is about revolution and disorder. Revolutions, like children, are lovable when young, and they become much less lovable as they age. The second lesson Machiavelli tells us is about sexual obsession, among leaders. And then the final chapter is basically is the story of Dick Cheney [and] bin Laden, the way in which those two ideas of what we're obliged to do as leaders converged in such a destructive way.

      ———

      In 2011 Ignatius held a contest for The Washington Post readers to write a spy novel. Ignatius wrote the first chapter and challenged fans to continue the story. Over eight weeks, readers sent in their versions of what befalls CIA agents Alex Kassem and Sarah Mancini and voted for their favorite entries. Ignatius chose the winning entry for each round, resulting in a six-chapter Web serial. Winners of the subsequent chapters included Chapter 2, "Sweets for the Sweet," by Colin Flaherty; Chapter 3, "Abu Talib," by Jill Borak; Chapter 4, "Go Hard or Go Home," by Vineet Daga; Chapter 5, "Inside Out," by Colin Flaherty; and Chapter 6, "Onward!," by Gina 'Miel' Ard.