For instance, the Civ games are basically Whig History: The Game, presenting liberal capitalism as the ideal end point for all societies. It even includes uncivilized "barbarian tribes" whose sole purpose is to be exterminated so you can take their land for the glory of capitalism.
Defending yourself is fair, but it has to develop to that point.
Nobody is going to just start stabbing people in the head because someone is lumbering around in a delirius daze. It would take several days/weeks for people to move from confusion about the matter to a societal acceptance with outright self defence in the form of killing infected people.
There's never any world building whatsoever. "Zombies exist go kill them" that's it. And when they're killed it's entirely uncritical, they're sick until scientifically proven otherwise and the act of killing a sick person is still the act of killing a sick person. To portray that with no emotional response and no critique is ideology.
For comparison, Goblin Slayer is an anime with what I would call the same ideology as most zombie games have, and that ideology is fascism. Unfortunately the really good analysis video that laid out the case for that is currently set to private but I'll throw it here on the offchance it goes back to normal later.
Everything about that anime is fucked, from the "look at how stupid and naive attempts to not genocide the goblins are" message from the start to the :awooga: :so-true:
spoiler
rape scene that basically starts the entire thing in a way that simultaneously justifies genocide to the audience and portrays it with the intent to get them off at the same time.
I wish that video wasn't private because it was a 1hour+ analysis of the fascism in the show and it was a banger.
I think I saw it, and agreed.
"The Rising of the Shield Hero" is similar but more an otaku/hikkikomori/incel wish fulfillment revenge/power fantasy with cryptofascist characteristics, up to and including slavery apologia. There is also a false rape accusation as a primary plot point
spoiler
(and in at least one of the non-anime versions, the false rape accuser is literally raped to death while being dismembered before a cheering audience and it's shown as just desserts.
And don't get me started about what a bunch of mask-off fascist neocolonial grimdark tacticool military jerkoffery "Gate" was.
:cringe:
Fortunately I have only seen the first season of the Shield Hero anime, not through choice mind you.
but if you can get past that, you can enjoy the main character (slaver) doing bog standard 5/10 isekai stuff for the bits before the point where even the people who liked all that shit admit the show sucks
People do in fact summon men with guns to brutalize people suffering from mental incapacity all the time. And they're terrified of anyone exhibiting mental illness symptoms.
Fair, but I mean nobody's going to do that to their loved ones or someone just acting a bit strange at a bar. That takes build up and by the time it gets to calling the cops they'd already have chunked someone's arm or leg or whatever.
Also fortunately that's completely outside my experience as people with guns don't get sent to see disabled people (or anyone) and the cops here are trained for 2-3 years. Not to say they aren't shits, but at least comparatively they're not usually psychos to the disabled.
Hmm. You've got a good point. I do think there is a very American grounding for a lot of American made Zombie movies. Things like the ending of the original Night of the Living Dead are a strong commentary on contemporary America, for instance, that would need to be reworked at least a bit to make sense in other contexts.
The whole idea of zombie movies seems to play into gun culture and Shaun of the Dead demonstrated quite well that the zombies have to but utterly useless to work in other settings. That or you can do 28 days later and demonstrate complete and total societal collapse in just 4 weeks.
This is a good point. Though if my memories are correct, I do remember one example of the opposite of this, or at least in one of its game. The Walking Dead by telltale has several moments where key characters - sometimes awful, sometimes close to you - have been infected, or supposedly so, and you're given the choice to either kill them or having some compassion and being cautious. Of course this isn't that much better tbh since there's obviously a "correct" choice, but I do think there's some emotional weight to it compared to most zombie games.
Yeah the problem with putting that choice in the hands of the player is that the player has a pre-existing ideological foundation for what to do in a zombie scenario. The player has been taught by the vast majority of the genre to kill them without mercy because any kind of mercy or hesitation gets people killed.
And we're not even getting to the issue that zombie games reinforce the need for borders and walled societies, reinforce keeping even good people out because they might be infected, and reinforce the idea that the entire of humanity(now zombies) is an enemy, that the only ally that exists is your small society with hard borders and men patrolling the walls with guns. It is you and your society vs the world. It reinforces fascist ideology.