I've been reading a bunch into dialectics, and started "Dance of the Dialectic" by Bertell Ollman which i'm finding very interesting.

I want to write a few things, some articles that will generally be about historical research, analysis and critique of an event, or a text, or ideology. A lot of what i'm interested in gravitates around literary/media critique.

So are there still marxist, specifically dialectical methods, models or schools of thoughts that are still used? Modernised versions, evolutions (that don't fall into anti-communism, or some vague "post-marxism"), etc? Are there methods that bridge the gap like Marx's dialectic and can be used as much in science, in critique, in philosophy and in strategy and action?

Another thing I'm interested in: escaping the uselessless of media and literary critique. I don't just want to dissect a text and talk about what's inside or about the ideology, although that's a necessary step, but I want to see if that can be projected forward, to derive not only a critique but a positive method, a strategy for change. For example, a method that allows you to critique fiction writing and also gives you workable tactics for better writing, for revolutionary writing. Not simply pointing out the ideological content of something, but tactics for fighting it, for writing something better, for counter-acting. Feels like simply analysing and being critical isn't enough because it doesn't bring change, and can even bring a sense of powerlessness when all you're doing is in knowing rather than doing. In this example, how do we convert the analysis into something that motivates and guides new writing? I'm still unsure if this is really possible, it feels like media critique can only ever be subsumed into capital and can never really be used in revolutionary ways, but I'm wondering.

Sorry if some of this is rambly.

  • grym [she/her, comrade/them]
    hexagon
    ·
    1 year ago

    Very interesting, thank you for your comments. It's tough to formulate my thoughts because I'm trying to shift a lot of the concepts into the "humanities" side of the sciences more, and into art and literature. But I've personally always disliked how arbitrarily split the sciences have been in the bourgeois world. Not that there aren't differences, but I don't know. Something about the strange split between "hard" and "soft" sciences, and the inability of those fields, or even in between fields of the humanities themselves, to communicate, to collaborate on theory, on ideas, models and practice, is bothering me.

    I've posted a big-ass comment on this post that goes further into what I wanted to get at.