I have thought about developing an alternate script for Norwegian/Scandinavian based on the old runes, really just because I think that would be fun and interesting, but insofar as I haven't done this yet, I don't know of any alternate scripts for Norwegian, and obviously there isn't much point in talking about English.
So I will instead share an alternate script for a language I do not speak: Circassian, or specifically West Circassian or Adyghe.
Father and son duo R. I. Daur and I. Yu. Daur together developed an alternate script for that language in I think 2012. The script was dubbed "Mifo-Circassian", and as I understand it, it's an attempt to give the Circassian language a more unique visual identity, by using letters based on old inscribed symbols — I think the emblems of clans more specifically — rather than using an adapted foreign alphabet like Latin, Arabic, or Cyrillic. Furthermore, Circassian has a very unique inventory of sounds that interact with each other in unique ways, that foreign alphabets can't really do justice, so this alphabet is more uniquely suited for the challenges that come with representing Circassian in writing. Mifo-Circassian writing seems like it may be used both alphabetically and alphasyllabically, but the alphabetic form is far more common.
Well, "more common", not that many Circassians actually do use this Mifo-Circassian script to begin with. Cyrillic, Latin, and Arabic have the benefit of being supported by Unicode and of also being used by neighboring languages, and they work well enough for representing Circassian. So it seems like the primary usage of Mifo-Circassian is not necessarily for communicative writing, but rather for more ornamental or artistic usage.
I'd love to see your attempt at an alternate script for Norwegian. I do however speak Swedish but I could probably use it for Swedish to.
Also, regarding Norwegian while you don't have any alternate scripts you do have two ways of spelling, right? In Swedish there called "bokmål" and "ny norsk", but I don't know the names in Norwegian or English.
Nothing is exactly set in stone (no pun intended), but my current idea essentially involves updating the letter forms to be better suited for writing on paper, and I was also thinking of using a dot diacritic for voicing and umlaut, and having the staves be x-height normally but extend downward for doubled consonants.
Ideas that are more sort of "on the table" are whether to use monographs for ⟨sj⟩ and ⟨kj⟩ etc, and monographs for the diphthongs; whether to have an optional diacritic form of ⟨r⟩ to represent the assimilation of /r/ in Eastern Norwegian; whether to use the same letters for certain sounds in complementary distribution; whether to extend the usage of the dot diacritic to alternate between otherwise similar sounds, rather than only voice and umlaut; and whether the runes should indeed have staves at all.
The problem is that depending on how many of these ideas are implemented, and the ways in which they are implemented, you eventually end up basically abandoning the idea of "modern runes" in favor of basically reinventing Shavian script but for Scandinavian. So it's difficult to strike that sort of middle ground between ancient and modern, especially when trying to balance that with practicality of use and ease of learning. Another matter is of course which forms of runes to actually base the script on: if we stick to just Scandinavia, we have Elder Futhark, Younger Futhark, medieval runes, staveless runes, and Dalecarlian runes, and these often have very different letter forms from each other.
I have thought about developing an alternate script for Norwegian/Scandinavian based on the old runes, really just because I think that would be fun and interesting, but insofar as I haven't done this yet, I don't know of any alternate scripts for Norwegian, and obviously there isn't much point in talking about English.
So I will instead share an alternate script for a language I do not speak: Circassian, or specifically West Circassian or Adyghe.
Father and son duo R. I. Daur and I. Yu. Daur together developed an alternate script for that language in I think 2012. The script was dubbed "Mifo-Circassian", and as I understand it, it's an attempt to give the Circassian language a more unique visual identity, by using letters based on old inscribed symbols — I think the emblems of clans more specifically — rather than using an adapted foreign alphabet like Latin, Arabic, or Cyrillic. Furthermore, Circassian has a very unique inventory of sounds that interact with each other in unique ways, that foreign alphabets can't really do justice, so this alphabet is more uniquely suited for the challenges that come with representing Circassian in writing. Mifo-Circassian writing seems like it may be used both alphabetically and alphasyllabically, but the alphabetic form is far more common.
Well, "more common", not that many Circassians actually do use this Mifo-Circassian script to begin with. Cyrillic, Latin, and Arabic have the benefit of being supported by Unicode and of also being used by neighboring languages, and they work well enough for representing Circassian. So it seems like the primary usage of Mifo-Circassian is not necessarily for communicative writing, but rather for more ornamental or artistic usage.
I'd love to see your attempt at an alternate script for Norwegian. I do however speak Swedish but I could probably use it for Swedish to.
Also, regarding Norwegian while you don't have any alternate scripts you do have two ways of spelling, right? In Swedish there called "bokmål" and "ny norsk", but I don't know the names in Norwegian or English.
Bokmål and nynorsk without a space, yes.
I love the idea of a modern runic script, suitable for contemporary Scandinavian languages. Would you care to elaborate on your thoughts on this?
Nothing is exactly set in stone (no pun intended), but my current idea essentially involves updating the letter forms to be better suited for writing on paper, and I was also thinking of using a dot diacritic for voicing and umlaut, and having the staves be x-height normally but extend downward for doubled consonants.
Ideas that are more sort of "on the table" are whether to use monographs for ⟨sj⟩ and ⟨kj⟩ etc, and monographs for the diphthongs; whether to have an optional diacritic form of ⟨r⟩ to represent the assimilation of /r/ in Eastern Norwegian; whether to use the same letters for certain sounds in complementary distribution; whether to extend the usage of the dot diacritic to alternate between otherwise similar sounds, rather than only voice and umlaut; and whether the runes should indeed have staves at all.
The problem is that depending on how many of these ideas are implemented, and the ways in which they are implemented, you eventually end up basically abandoning the idea of "modern runes" in favor of basically reinventing Shavian script but for Scandinavian. So it's difficult to strike that sort of middle ground between ancient and modern, especially when trying to balance that with practicality of use and ease of learning. Another matter is of course which forms of runes to actually base the script on: if we stick to just Scandinavia, we have Elder Futhark, Younger Futhark, medieval runes, staveless runes, and Dalecarlian runes, and these often have very different letter forms from each other.