Everyone knows how rabidly reactionary and shitheaded the SW fandom became after the Disney acquisition but I'm finally at my breaking point with this latest wave of chud whining. The Acolyte got review bombed before it even aired because the showrunner is a lesbian and the leading actress is a gay enby. Also a clip of Stenberg from like 6 years ago made the rounds where she says the goal of a completely different project she was working on was to make white men cry and chuds who get all their news from youtubers thought she was talking about the Acolyte.
Fast forward to the show's release, the chuds continue to whine about woke Star Wars despite the show's first several episodes being pretty bland and mid in every regard. To disguise their actual reasons for hating the show (diverse cast and queer showrunner) they pull out the absolute most ridiculous reasons to bash it, including but not limited to:
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"The writing is awful and the story sucks!" (the dialogue is genuinely quite bad at times but no worse than 95% of star wars projects. The general story is a mystery-thriller that's compelling enough. Also these same people turn around and say the prequels are incredible so
) -
"The show contracts and ruins the prequels!" alright time to put on my nerd cap because the media literacy of these fucking shitbags is nonexistent. "Dark side user" =/= Sith, Red-lightsaber-user =/= Sith, there are tons of darkside users in the galaxy but the Sith area very specific order that the jedi warred with for thousands of years before they were almost completely wiped out. Also half the point of the prequels was to show the Jedi are blinded by their hubris and waning connection to the force, the Sith were right under their nose the entire time and they were just too arrogant to see it, silly Darth Teeth man doesn't ruin shit in your dog ass shit fuck childrens movies.
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"The show RETCONS CANON in an UNACCEPTABLE WAY" this is because a prequel side character's DOB was retconned and he's a lot older now and appears in the show. These worthless fucks are sending death threats to Wookiepedia editors who change the character's DOB and screaming that it's vile yes that's right it's VILE to change a fictional background character's birthday. Just take a look at the replies on that post, yes I know it's the bird hellsite filled with ragebait but the responses like "oh well I thought that GATEKEEPING was a BAD THING
" are just so bleak. Art and media mean nothing to these people, their hobby is not watching Star Wars, its watching ragebait youtubers and getting violently angry about mundane things in shows they've never watched and aren't interested in 
Also these screaming manbabies keep referencing non-canon books and shit as "proof" of the show retconning things
The discourse around TLJ was bad but I think I'm finally done engaging with the SW fandom in any way shape or form. My brain has finally been broken by the chuds. I don't think I'll even tell people I like SW anymore because these shitbrains have just ruined it. And yes I know I need to 
but if you don't spend a decent amount of time in these SW fandom circles I promise you don't know how bad it actually is
/rant
Not sure if this was an intentional or accidental reference to The Volume, but for folks who don't follow this stuff, this is a somewhat accurate description of the way many star wars scenes are filmed.
The volume is a giant chamber encircled by LED screens that display CG backgrounds that respond to camera positioning. The cameras have positioning units that communicate their position to The Volume in realtime, with one of the big benefits being that the camera and the actors can move more freely than they could on a standard green screen. If a camera shifts left, the BG can shift in parallax with it, making it relatively seamless. Because the LED screens emit light, they also provide the scene with much more natural lighting (This is one reason why the Mandalorian can wear shiny armor -- It's reflecting a series of very good displays)
Kne drawback is that that the bgs must be CG.
This also limits the scope of a scene, as the BG can't occlude the actors. Foreground and scene elements must still be added to sets, and if someone wants to, say, enter another room in a house, that doorway must be built in the volume, or the scene must be cut during a transition.
It's a fascinating piece of technology, and useful for specific things, but because it's cheaper than building sets, we see it used when it's not the best tool for the job too.
Even so, Andor didn't use the volume for much, which is why the scenes feel so solid and interactive.