Matt lays out his preference for squibs over CGI bullet wounds, and expands it into a larger Marxist analysis about how profit concerns increasingly strangle creativity
Matt lays out his preference for squibs over CGI bullet wounds, and expands it into a larger Marxist analysis about how profit concerns increasingly strangle creativity
he recently said the only case he wouldn’t hate CGI would be if it was so perfect he wouldn’t notice and even then he’d be annoyed but would accept his fate.