• Rev [none/use name]
    arrow-down
    5
    ·
    4 years ago

    The going out of your way argument is good in principle but we're not talking here about a dude just drawing pictures of Muhammad and running around shoving it into random people's faces, are we? It was a teacher, showing the cartoons (that he himself didn't draw) from a well known (even if in very bad taste) magazine in his ethics class as part of a discourse on religious tolerance, censorship, personal freedom. We don't even fucking know his personal stance on the caricatures. On top of that, he got beheaded by a guy from Chechnya, a republic that has never in its history been subject to French colonialism. A republic that has social mores and is ruled in pretty much the same way as Salafist Saudi Arabia. So no, this here is not the hill leftists should die defending because it has zero relevance to the attitudes of the overwhelming majority of Muslims.

    • hogposting [he/him,comrade/them]
      arrow-down
      3
      ·
      4 years ago

      No one is arguing that killing someone over this is OK.

      The "it's for class" reasoning doesn't hold much water either. We learn about all sorts of things we shouldn't do without needing to see an example of them, and it's not as if a picture of a person is such a difficult concept to grasp that it requires examples.

      • Rev [none/use name]
        arrow-down
        3
        ·
        4 years ago

        It holds all the water because context matters. I also don't know what to tell you if you think the purpose of such a class is "to show what a historical figure looks like". Tell me though, would you also ban showing historical photos of banners with the swastika in a history lesson about Nazis because displaying it would hurt the sensibilities of Jewish pupils present and one could describe a swastika by saying it's a black cross with perpendicular lines at each end? Would you ban the virulently racist attitudes, expletives and slave beatings in a film about slavery? This shit comes too close for comfort to lib performative idpol with its deliberate dismissal of context.