Fucking weirdos.

  • LeninWalksTheWorld [any]
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    edit-2
    3 years ago

    The psychosexual nature of fascism has always been fascinating to me. These people literally do get off on the thought of killing someone, and apparently actually killing someone can give you an intense "blood lust" where you feel horny af. Then there is their cult of the strong and pure and all that jazz. For such an ugly ideology it's honestly pretty horny. :spray-bottle: :frothingfash:

    ps: can anyone recommend some books on this because I'd like to know more

    There's this from ur-fascism: "12. Since both permanent war and heroism are difficult games to play, the Ur-Fascist transfers his will to power to sexual matters. This is the origin of machismo (which implies both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality). Since even sex is a difficult game to play, the Ur- Fascist hero tends to play with weapons – doing so becomes an ersatz phallic exercise "

    • FriendlyDogman [they/them,he/him]
      ·
      3 years ago

      I can't for the life of me track down an article (series of articles?) I saw years ago that I'm pretty sure was about elements of homoeroticism in fascist propaganda. However, (and speaking of phalluses) during my search I did come across this paper, or at least the abstract for it:

      German phalluses for Latvian men: Nazi war propaganda in occupied Latvia

      Occupation of Nazi Germany took place in the territory of Latvia from the summer of 1941 to the fall of 1944 (in Western part till the Germany's capitulation in spring of 1945). German Nazi ideology was supported by a particular visual imagery that aspired to depict Aryan men as strong, masculine and militant males, often naked or half naked. Analyzing these male images taking into account also ones from the periodicals of the last years of independent Latvia and from the year of Soviet occupation (1940-41), a clear distinction can be made. Unlike Latvian or Soviet shy and discrete male images whose appearance was usually aligned with the seasons (sunbathing or swimming in summer) or profession (athletes, artist models), images, cultivated by Nazi (self-confident display of full frontal nudity in sculpture; strong presence of male nakedness in war reporting, promotion of healthy lifestile and other genres of photography) were a new visual experience for Latvian people. As some part of the former research work shows, the main addressee of this imagery were local male audience who had to be make certain of the superiority and inevitable victory of German race even in the period when first obituaries of German officers appeared in newspapers. This aesthetics of hypermasculinity comes hand in hand with issues of homosociality and homoeroticism that is not always as separated as Nazi ideologists probably imagined, notably because association of Nazi and homosexuality was quite common already in Latvian Social-democrat newspapers in early thirties.