Originally posted this as a comment in a separate thread also dunking on Gran Torino. Making my own effort post after my comment turned into a full on review / essay.

Gran Torino is about a racist white savior jesus aka how clint eastwood sees himself.

Seriously an absolute fucking shitpile of a movie that even liberals ate up. “The great replacement” is even a core plot point in the movie (“this neighborhood used to be white and nice”) and it pats white people on the back for only sometimes using slurs.

It never addresses the need for white america to address its racism systemically. Instead the responsibility is only on the individual (therefore just a moral failing).

To be clear, the responsibility is on both society and the individual. Each person must make the effort to deprogram internalized prejudice in addition to forcing through systemic change. Unlike with something like climate change, racism and other forms of bigotry will continue to perpetuate themselves through individuals furthering the behavior inside of the systems they exist within.

There is little examination of why marginalized people live in poverty (eg war on drugs / police occupation / apartheid / housing discrimination/ carceral slavery cycle / etc). Instead the film blames the communities themselves (“deadbeat dads”, gangs, welfare, “not integrating”, etc).

Throughout it Eastwood says all the things and uses all the slurs his white audience wishes they still could. It is presented in a way where they can “scold” him while also reveling in that racism being directed at minorities and enjoying the pain it brings those characters.

The shitty classic car he pathologically works on throughout the film is the laziest metaphor for America since Fitzgerald used it in Gatsby a hundred years ago. If I’m remembering right, a minority even steals it at one point before it is (surprise surprise) reclaimed by the white man.

The movie fucking ends with Eastwood being literally crucified through gun violence on a sidewalk, his arms extended, blood pouring over his hands like the stigmata.

After the white man sacrifices himself as the hero and main character, he also graciously gives the car/ america to the minorities that learned to respect him despite his racism. They “got some manners” and now have been given rights on the white man’s terms (after he was done with it).

Completely goddamn delusional.

I had a white relative put it on and he acted like he deserved a fucking medal for it. Fucking clueless.

I haven’t watched that shit since, so I’m probably forgetting some details. I’m not going to rewatch it to make sure I’m presenting everything accurately.

Conclusion:

Gran Torino is as close as Clint Eastwood could get to remaking The Birth Of A Nation while still convincing liberals in Hollywood to fund it.

  • HodgePodge [love/loves]
    hexagon
    ·
    3 years ago

    Other comment I made in that thread:

    Eastwood has such a fucked political ideology that anything he creates should be viewed with extreme suspicion.

    Part of what makes the film so insidious is that it presents itself as antiracist despite having an absolute fucking field day with a mess of racist tropes.

    • CrimsonSage [any]
      ·
      3 years ago

      Wait! You mean that just because I jokingly use olde timey slurs for white people, that haven't been used seriously since the depression, I can't use the n word to?!?! Say it ain't so!

      Seriously though, the whole movie made me feel gross as hell. It really blows mind that he can still get funding for his terrible movies.

      • HodgePodge [love/loves]
        hexagon
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        edit-2
        3 years ago

        The amount of white people who get upset being called honky or cracker is hilarious. The false equivalence the film makes is also a tired and cliche one.

        • LoudMuffin [he/him]
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          3 years ago

          The amount of white people who get upset being called honky or cracker is hilarious

          this is why I always do it, even if its going to end with some middle aged dad hate criming me

          the meltdown is fucking hilarious, like if you yell slurs at minorities you're just going to get punched in the mouth, if you call a middle aged white man a cracker it's like a fucking DMT blastoff for them, like the fabric of reality tears away

          • HodgePodge [love/loves]
            hexagon
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            edit-2
            3 years ago

            :charlie-kirk: "I'll have you know my great great great grandfather came all the way from England as an immigrant and he didn't die of tuberculosis in a glue factory for me to be called 'lilly white'! Our country was built on racial tolerance, you filthy fucking {redacted}, I've already called the police from my Citizen app!!!"

    • star_wraith [he/him]
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      3 years ago

      Exactly, this film is insidious. If you didn't know anything about Eastwood and his views and you watch it uncritically, you could almost think it's an anti-racist movie. Even if you're not supposed to sympathize with the character's racism, it's all the tropes and how racial minorities are portrayed, like OP laid out.

      And in addition to what OP said, I know quite a few old white people, and ofc they're all racist af. And I would say that like Eastwood, they all seem to have a certain stratification of racial minorites in their mind. They hate black people no matter what but they might be "ok" with an Asian person so long as they conform to what a white person thinks they should be and they don't challenge white supremacy.

      • HodgePodge [love/loves]
        hexagon
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        edit-2
        3 years ago

        They hate black people no matter what but they might be “ok” with an Asian person so long as they conform to what a white person thinks they should be and they don’t challenge white supremacy.

        This is another angle I hadn't thought to mention in my review. Eastwood operates under a "racial heiarchy" even up to the point he dies. His racism "decreases" most primarily with Asian people, particularly the lighter skinned ones.

  • TheDeed [he/him, comrade/them]
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    3 years ago

    I remember watching this movie as a kid and pausing each time to google new words I heard from the main character and they were all ancient slurs I had never heard before

    • HodgePodge [love/loves]
      hexagon
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      edit-2
      3 years ago

      Eastwood in the writing room:

      :pepe-silvia:

      "so we need to include every category of the blood quantam"

      The interns locked in there with him:

      :what-the-hell: :jesus-christ: :what:

  • Spike [none/use name]
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    3 years ago

    In Dirty Harry, there's a scene early in the film where a man is considering suicide by jumping off the top of a building. The crowd below and the regular police are woke Dems who play by the rules so they are trying to negotiate with the man to get him to come down safely. Dirty Harry isn't a woke Dem who plays by the rules, so he goes up there and punches the guy in the face, knocking him out, then carrying him down via cherry-picker. Suicide solved, snowflakes defeated.

    • HodgePodge [love/loves]
      hexagon
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      edit-2
      3 years ago

      I've never seen Dirty Harry and your comment confirmed that was probably a good choice.

      :very-intelligent: "The correct response to someone considering self-harm is to harm them."

  • FloridaBoi [he/him]
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    edit-2
    3 years ago

    I saw this in theaters (I think?) and I remember how uncomfortable it made me feel.