0-3-5, 0-3-6-5
Edit: but for real, the intervals from an open string are 0-2-3-5-7-8-11-12. You're just playing a sharp 7th, so the last interval before the octave is only a half step (one fret) instead of a whole step (two frets).
Tablature for an ascending scale box will look something like this for A minor harmonic (E-A-D strings shown; you can move this up and down the neck as needed):
D | --------------6-7--| A | -------5-7-8-------| E | 5-7-8--------------|The scale is: 1 2 b3 4 5 b6 7 8
So in C for example it'd be: C D Eb F G Ab B C
So it's like a natural minor scale, but with a major 7 instead of a minor 7.
Wikipedia's music theory stuff is actually really great https://en.m.wikipedia.org/wiki/Minor_scale
will you use it for truth justice and the american way or for insidious radical leftist propaganda
At first I thought it had a snakecharm sound to it, I will harness this to inject venom into enemies of the global proletariat
Does that augmented second from, say, Ab to B in C min sound exileratingly exotic to your ears?
It makes me go :party-cat: but if instead of a cat it was a cobra
Now I learn how when and why to play minor chords with a major 7th by noodling for hours
alright but have you tried not actively thinking about a key or a scale or a mode and just going as the music guides you :very-smart:
half-joke since key/scale/mode exists for a reason but it's also hella fun
Totally! My knowledge of music theory is very casual and I definitely think it's better to use it to retroactively understand why something is cool, rather than let it prescribe your playing.
This is awesome! Major space voyage vibes :meow-floppy:
I think it's different going down, I'm too scared to find out
Have you considered the Super Locrian? If not, have you considered considering it?
