Gonna have to let that one percolate more, but I can see why it's such an iconic movie that keeps popping up constantly. The way it shows the utter bloodsoaked cruelty of elites, yet also shows them as empty and utterly replaceable. And even one who keeps pushing boundaries of that cruelty in ways that seem ultimately become attempts at recognition or maybe to assert some sort of agency... all of that gets painted over. Regardless of how much of what we see in the movie was pure delusion, the point that I've taken away right after watching is that Patrick Bateman has no more agency or identity than any of the other finance douchebags in his social circle.

To me that scans with the idea that even the richest and most powerful capitalists are totally subject to the laws of motion of capitalism, that no matter how they might try to assert themselves as individuals whether through public magnanimity or depraved acts of cruelty, it's as futile as Patrick Bateman's attempts. Their actions and role in society are not their own, and attempts to defy that will simply be compensated elsewhere or, at most, they will simply be replaced by the next capitalist in line. I think we often think of capitalists as having more agency and capability to put resources toward societal problems, but simply choosing not to do so, yet I'm not sure that's really true. Seems to me that all roads lead back to collective working class action being the only means by which systematic ills can be rectified. Idk it's late and I'm rambling. Point is, pretty great movie

  • Spike [none/use name]
    ·
    4 years ago

    I think even the "its all in his head" reading of the film still works because it shows a few things:

    • how little anyone cares about Bateman's well being as he is losing his mind

    • that he's still able to fit in while he is losing his mind

    • that it doesn't even matter to anyone around him whether he is losing his mind or not as he is replaceable

    I don't think its all in his head though. I interpret the things like shooting a gun causing an explosion to be his mind losing sense of reality, but that all the killings he did were still real. It makes the real estate agent scene even more chilling, where instead of it being a scene of just some random apartment that Bateman has been dreaming about, its actually Paul Allen's apartment. This implies the real estate agent's company have taken ownership of the apartment since Allen's death, and while inspecting it they found the bodies and dumped them without reporting it to anyone and plan to sell the apartment like nothing happened because there's profit to be made. The agent probably realises that Bateman has done the killings by the way he's acting and takes a "don't ask don't tell" approach.

    Its a shame Bret Easton Ellis is one of those "millennials are all snowflakes" people.