PS - I didn't know it was Miyazaki's debut film before watching, but looking back, I can definitely see his style.

The country, the architecture, the castle are all just so beautifully drawn. The fight scenes are incredibly fluid and energetic. It was made in 1979 and so, there are a couple of tropes that haven't aged well - specially the Damsel in Distress, but other than that, the plot is solid. The female characters, when they're present, aren't overly sexualized. It's just a very well made film. Above all, it's just so fun! The chase scenes are freaking hilarious. The villain is plain evil so you don't have to think about any morally gray areas or whatever. Just sit back, relax, laugh and have a good time.

Highly recommended.

  • Dirt_Owl [comrade/them, they/them]
    ·
    3 years ago

    Miyazaki is great and it annoys me when otakus act like hes too popular to be "real anime".

    Cagliostro is one of his best. Love it.

    • Huldra [they/them, it/its]
      ·
      3 years ago

      Weirdly I've always interpreted him and Ghibli as a whole as being perceived as "above anime", like Anime is sometimes viewed as a niche or lesser form of art/broad genre while Ghibli is sorta viewed as transcending those barriers.

  • Spike [none/use name]
    ·
    3 years ago

    Having a Damsel in Distress isn't a bad thing. Its when media turn every woman into one, especially the lead actress, when it becomes a problem.

    Fujiko is meant to be a femme fatale but she is competent and doesn't have the typical "I seduced a guy then got in trouble cos the guy is now being violent and I have to wait for a man to save me" situation.

    Fun movie, highly recommend for anyone interested in some light entertainment.

    • LibsEatPoop2 [he/him]
      hexagon
      ·
      3 years ago

      Oh yeah agreed. Fujiko was great I felt. I meant Clarisse. And I liked that she wasn't a love interest or anything and Lupin just said she's like a little sister (which thankfully stops him, unlike other anime protag nowadays).

      • Spike [none/use name]
        ·
        3 years ago

        Sorry, I knew you were talking about Clarisse, I should have added that I think they handled her well so I don't think it ages poorly. A movie in 1979 where the damsel in distress doesn't end up being the reward for the male protagonist is well ahead of its time. There are some shows where Lupin saying Clarisse is like a little sister means they're more likely to become a love interest lol.

  • plantifa [they/them]
    ·
    3 years ago

    Huge Lupin III geek, & I love Miyazaki's take on Lupin. Cagliostro is an all-time fav.

      • LibsEatPoop2 [he/him]
        hexagon
        ·
        3 years ago

        The TV Series is based on the original novel, isn't it? I thought at first it was an adaptation of Lupin III.

        • plantifa [they/them]
          ·
          edit-2
          3 years ago

          Kinda, Lupin III's author, Monkey Punch wrote a gentlemen-thief manga series of a descendant of Maurice Leblanc's Arsene Lupin, though Leblanc's Lupin is largely separate from Monkey Punch's Lupin. The best comparison I can make for the Green, Red, and Pink Jacket Lupin series (the different adaptations of Lupin have him wearing different colored jackets) would be a heist-of-the-week Simpsons: canon and character backgrounds change or are irrelevant and characterization differs between episodes and series.

      • plantifa [they/them]
        ·
        3 years ago

        I really like the modern blue jacket Lupin III series. It's a bit different than the past heist-of-the-week Lupin series with an overarching seasonal plot and recurring characters, but modern animation/modern rearrangements of classic songs by Yuji Ohno makes it a worthwhile watch