watching a bunch of black people sing and dance while embodying monsters who raped their slaves turns a key in the liberal brain that unlocks pure and total absolution for the viewer's role in the death of the biosphere
don't ask me why I don't make the rules
If the founding fathers are poc, then they aren't problematic :galaxy-brain:
it's the same reason mayos pretend Jesus was white
If you collectively ignore reality then it's not a problem
How can we repurpose reactionary views to be good and inclusive? :cap-think:
Long tradition in theater doing race swapping to make its white audience more comfortable.
White libs feel guilty that their problematic fav founding father owned slaves. So if you race swap the historical figures, effectively having people of color playing characters who IRL considered them subhuman, you can provide a way for white libs to indulge their love of civil religion that ignores addressing their repugnance by modern standards. Libs are forced to address this at times but they subconsciously hate doing so and desire a way to avoid it.
That's why he created something like Hamilton that could charge a fortune per ticket. It appeals to rich white lib desire.
Trump. It didn't really blow up until Trump. It allowed libs to safely indulge in conservative idolatry of the founders because hip PoC rappers told them it was actually dope. They couldn't safely indulge those feelings because Trump made them feel icky about it. So Manuel Miranada Cosgrove sold himself as the guy who would express it for them in a safe cultural padded room where they could be both nationalistic and colonial but also not feel guilty.
The tickets were going for 10k a pop before Trump. The fued with Trump kept it going long after perhaps it should have died.
Black people get work LARPing as slaveowners and white people get to feel better about championing slaveowners. A latin guy gets some pop and a bunch of people make money. It's the liberal wet dream of what they believe America should be.
The tickets were going for 10k a pop before Trump
Wait... WHAT? Broadway delenda est.
Not for every performance, mind you, just that the frenzy around Hamilton had nothing to do with Trump-- it was only exacerbated by him as all things were in those times.
https://money.cnn.com/2016/06/03/media/hamilton-tickets-lin-manuel-miranda/
because it blackwashes the founding shitheads that they love to idolize
this, it's identical to what chuds do but opposite in polarity
chuds whitewash history so that whites can look more powerful than they really were
libs blackwash history so that America can look less racist than it really is
It gets to turn a man who owned slaves and dedicated his life to opposing democracy into an immigrant (they love to call him an immigrant, how progressive of him to move from the British West Indies to a different colony) entrepreneur living the American dream.
they love that they can reclaim the founding fathers from conservatives, pointing out that the feudal lords that founded the country loved civility and norms will totally own the trumpers
I mean thats what an immigrant is. Its not really meant to imply progressivism either. What weirdo associates immigrating with being progressive?
It's because they project their own values on immigrants and imagine that they will repopulate the country and get rid of those nasty Trumpers inhabiting the heartlands and outvoting them.
Something else that I don't see here is that Hamilton is a woke relitigation of the original settler contradiction between northern industry and finance and Jeffersonian/southern yeomanry/plantations. In order to become a power, the u.s. had to build its settler economy in the vein of old Britain. That meant financing the government at debt to corporate and financial interests. The other option was the idea of small white landowners. Both of these interests needed each other, but the Federalists had to win. That is the Hamiltonian victory: Washington essentially agreed and laid out that course in everything but name. Of course, the political can of not favoring slavery got kicked down the road for almost 100 years. I think that's what libs want. They want to feel woke and good about the clash of genocidal self-interests that started the u.s. and if they tell that story with poc rappers, they can elide the brutal African and Indigenous genocide of it all without claiming those things were good, like neoconfederate southerners.
They want to feel woke and good about the clash of genocidal self-interests that started the u.s.
Yep. And they also wanted to feel like their generation (millenials + gen X) had finally "solved" or "fixed" racism by electing Obama and having more B.I.P.O.C. drone pilots/CEOs/overpaid pretentious actors etc.
Obama was the one who originally made Lin Manuel Maranda popular, and Hamilton is the Obama of musicals.
This isn't something unique to Libs though, and in fact chuds do it more.
White Jesus, White Aryans, White Native Americans (we wuz solutreans n shiet) are all the same thing as Hamilton, they've just been repeated for so long that nobody even thinks twice about them (other than the white Native Americans bit, that one isn't really mainstream)
Chuds pretend the past is white in order to bolster their racial morale
Libs pretend the past is non-white in order to bolster their national morale
I think Lindsay Ellis’ video about Rent is her best video and it discusses the relationship Broadway has to “subversive” musicals that ultimately uphold a status quo
Also, hearing the gay community using the same “healthcare is a right” chant 40 years ago during the AIDS epidemic as we do now is a little harrowing.
The original question that spawned this thread was not “why do libs like a show like that?” It was “why would you create a show like that?” I’m a huge fan of Hamilton (I’ve somehow managed to ignore its horrendous politics) and can answer this question.
Lin Manuel Miranda is a second generation immigrant who spent a month out of every year in Puerto Rico as a child. His parents are both first generation, a psychiatrist and a lawyer who consults for the Democratic Party. So he very much grew up upper middle class in an immigrant household. In parts of the “making of” book for Hamilton, he comments on the conversation Hamilton and Burr have about a street getting renamed after someone. Manuel remarks about how he overheard conversations like this about legacy from his father. This is the world he grew up in. People who knew that history books would contain the names of their families.
So you have a Latino kid who is essentially living the American Dream, but he’s brown and doesn’t see himself reflected in America’s creation myths (weird, that). He reads a biography of founding father Alexander Hamilton (as one does) and this biography happens to paint Hamilton in a very favorable light. So much so that Miranda writes an entire arc about Hamilton’s crusade against slavery that was cut for time but still has some remnants in the show. I think Miranda related to this guy who was kind of in between two worlds and wanted to draw the parallels.
And frankly it was very funny to watch chuds melt down over the show refusing to cast any white people so they made the on white role the most insufferable and incompetent guy in the entire play who gets shot within minutes.
I think it really does say a lot that Lin Manuel got picked up by the Obama administration for that poetry night too. Just in case anyone thought this musical couldn’t get any more lib, here’s a remix of George Washington’s farewell song with his final letter read by Obama
A lawyer who consults for the Democratic Party.
I should've known.
Not included in your comment: Reckoning with your boy LMM's plundering of Puerto Rico after the hurricane. PROMESA as well as being one of the cultural agents working to replace its industries with global corporations (replacing independent coffee producers with Starbucks vertically integrated ones, etc.)
PROMESA as well as being one of the cultural agents working to replace its industries with global corporations
Sorry could u explain further? Lin Manuel Miranda is a gentrifier?
Much worse.
https://remezcla.com/features/culture/lin-manuel-miranda-hamilton-in-puerto-rico-controversy/
Oh right I forgot about King George. Still, his whole bit is singing love songs as an abusive boyfriend
I've never seen Hamilton but I have seen Moana, and Miranda might be a lib but he's a pretty damn good songwriter, I'll give him that.
the main problem with hamilton as a musical is that he is a good songwriter but he is also the worse musician on the show doing the main character like daveed diggs and leslie odom for example are so much better than lin
Oh 100%. There are some bootlegs with newer Hamilton’s that are way better. Leslie Odom is easily my favorite Burr though. And Daveed’s stuff in Clipping is 🤯
The songwriting is why I love Hamilton. There are so many Easter eggs alluding to hip hop classics or to other Broadway musicals. And the way they weave together ideas and make comparisons through different motifs recurring is gorgeous. The Room Where It Happens is my favorite song
the dueling commandments one is also a really funny reference to ten crack commandments from b.i.g
Its that scene from The Simpsons, "We need a symbol to show we're gay and Republican!" and Maggie's pink elephant balloon wafts into the conference room.
Here its a room full of Democrats saying "We need a way to be woke and patriotic!"
Because the world is a cruel and dark place designed by a malicious god to cause pain and confusion
The world is a cruel, dark place designed by a malicious god to cause pain. And confusion.
That would be a great metal lyric.
I basically draw on crust lyrics when I wanna write a sentence like that.
Because it's rap that's not scary. I showed it to my wife a while back because I was trying to find a way to get her to like some hip hop. I guess it worked? She likes Hamilton and I got her to listen to the Fugees.
Thank you all for your answers in this thread. You are helping me make sense of something that has made my eye twitch for six years at least.
Thank you for asking in the first place, sometimes we need to just lay out how something this fucked up is normalized.
Libs love musicals and Hamilton is the most anodyne musical ever imagined
Can't even pull the "Rap music is bad because it's about drugs and hoes" angle on it because it's about the founding fathers
What's wrong with Avenue Q? Or are we just shitting on musicals that break into pop culture relevance?
Not to accuse you of hipster gatekeeping but surely we can find better targets of your ire then! Wicked? Rent? Cats? Disney's broadway musicals? Every movie-to-broadway adaptation? Or going the other way, every broadway to movie musical adaptations?