When I was five I got mad at my mom and broke her favorite vase, and I haven't altered my personality in the thirty years since :big-cool:
When I see people that have shirts or bumperstickers like this, I know that they are deep down bothered by the fact that they are an asshole.
If they didn't care, they wouldn't even mention it. It's a tough-talk cry for acceptance.
The degree to which someone tells you they don't care about something is directly proportionate to how much they actually care about it.
There's a lot of things that I actually don't care about, and as a result, they don't cross my mind and I never talk or post about them.
You see this every struggle session with all the "I don't care" posts lol.
Right. Because when you truly don't care about something, it rarely occurs to you to even bring it up, much less to own a t-shirt espousing as much.
Happy people don't wear shirts explicitly telling the world about how happy they are because they don't need to.
Just like how a person wearing a shirt that talks about how smart they are is guaranteed to be a massive dumbass.
"I FUCKING LOVE SCIENCE"
no, binch, u like sensationalized pop-science reporting and factoid lists
What if I actually love science and the majesty and intricacy of the universe?
It's that politically, people very low in Agreeableness, one of the Big 5 personality traits, are likely to be on this side of the spectrum. Low Agreeableness men find no value in going along with the group and will do their own thing. High Agreeableness men place a very large value on what the group thinks and will find out what they think and mold themselves to it, tying their identity to being part of the group.
This. Every truly soulless person who would just as soon shoot you in the mouth as acknowledge your existence wears suits and ties and goes to the business factory to produce business. They don't have the time or need for introspection and might in fact not know what it is.
"MacDonald has cited The Beatles, Pink Floyd, Led Zeppelin, Black Sabbath, Joe Cocker, Janis Joplin, and Aerosmith as musical influences."
First, the rapper doesn't cite a single rapper as an influence. Telling. Second, I don't here any of them in any of his songs.
White Boomers hate everyone that vaguely reminds them of John Lennon. Never even mind a young Steve Tyler or David Gilmour.
Is that an American thing? White boomers love these people in my experience...
They love the memory of "The Beatles" in the same way that they love the memory of college. But now they hate everyone in college.
If you look like John Lennon or talk like John Lennon or repeat the ideas John Lennon espoused today, Boomers will hate you. God forbid you look or act or speak like a young Steve Tyler.
young Steve Tyler
the guy who impregnated a 16 year old, made her get an abortion, regret it when he found out is was gonna be a boy and become super pro-life trump guy? Was young Steven Tyler a Maoist or something?
Was young Steven Tyler a Maoist or something?
Nah. Just young, dumb, and full of cum.
i did a song with this guy right before he decided to be "the alt right rapper" and I immediately disowned that shit lmao
i remember the day he dropped "white boy" me and one of my colleagues were like "oooooooooh.... fuck."
jesus I stopped paying attention as best I could after white boy. I vaguely remember the if i were black joint but I dont think I ever actually saw the cover.
yea i wasn't really familiar with him either at the time, one of the people i was working with reached out to him for the project. It was almost 3 years ago so I can't remember super clearly but I remember they showed me some of his music and I thought it was extremely bland lol
This guy looks like he has fuck fear tatted on his knuckles but it looks like it's backwards lmao.
Im sure it's something else but man I want it to be true
Everyone except me should shut the fuck up. Never me though. No, I will not explain.
They are permanently posting HOG with that mouche tattoo.
A soul patch (also known as a mouche, a flavour saver, a jazz dot, or a Nollsey) is a single small patch of facial hair just below the lower lip and above the chin. It came to prominence in the 1950s and 1960s, when it was a style of facial hair common among African-American men, most notably jazzmen.